Posts Tagged ‘Patty Griffin’

The String Section’s Screaming Like Horses in a Barn Burning Up

My favorite thing about summer is the concert season. I’ll put up with the heat if it means I get to see a lot of great bands in return. In fact, I kicked off concert season back in April when I saw Matthew Perryman Jones and Wakey!Wakey! in New York, and then followed it up by catching MPJ again a few days later when he came through Charlottesville, and then heading to Richmond a few days after that to see The National for the first time. One week, four concerts. Two weeks later, I hopped a train to Philly to catch the first show on Josh Ritter’s U.S. tour for “So Runs the World Away.”

After that, I had nearly a month of no concerts at all before reaching June 3rd, which kicked off another music-filled week with the first of three concerts.

Kelli was my partner-in-crime for June 3rd’s show. We closed our office a little early and hit the road to Richmond to see Patty Griffin at the Lewis Ginter Botanical Gardens. We weren’t thirty minutes from home when storms treated us to torrential downpours that carried us all the way to Richmond. We could barely see where we were going, and cars on the interstate were driving with their emergency lights flashing. All this, and we were on our way to an outdoor concert.

Ten minutes before we reached our destination, however, the clouds parted and we drove out into a beautiful day. We thought we were home free, but as we stood in line with our chairs and blankets to enter the garden, dark clouds were gathering in the sky once again. We went in, got some food (as we hadn’t had time to stop for dinner), and claimed a nice spot on the lawn. We had just commenced our picnicking when a staff person came around to tell everyone to go inside because a storm was coming and there was lightning just a few miles away. We packed up everything and went inside the building to eat. By this time, the concert was supposed to be beginning, and I worried that they were going to call it off. Half an hour later, the storm still hadn’t come, and we decided to go back outside and walk around. The sky to the west of us was yellow, and we could see that it was raining hard just over the ridge in the distance. They opened the larger building and we went back inside again, hoping for a reprieve.

By that time, the concert was running an hour and a half behind, and there still hadn’t been more than the threat of a storm. I was getting antsy, so I went outside to walk around and take some pictures. We were at the botanical gardens, after all.

As I was walking around, Kelli called to alert me that everyone was making a mass exodus from the building back down onto the lawn. We followed along and found new places on the lawn. Of course, by then it had just started to rain. Luckily, Kelli brought her umbrella!

Seems like nobody gave up and left while we were waiting out the non-storm. The lawn was full!

With the end of the rain came a beautiful double rainbow, making a half-circle around the stage just in time for the show to begin!

The opener moved quickly because the show had been delayed, and it wasn’t long before Buddy Miller graced the stage. He is legendary. He only did one song solo before he invited Patty Griffin out on the stage, and she backed him on a few more of his songs.

They all left the stage and Patty re-emerged alone, but quickly brought Buddy Miller and the band back out and they rocked the house as the sky darkened.

I was a little too far from the stage to get any good video footage, but I did record a clip of “Death’s Got a Warrant” as I marveled at Patty’s vocal strength. The video certainly doesn’t do her justice, but you can get the general idea:

For the last 30 minutes of Patty’s set, we also had a lightning show to our west, and we knew another storm was on the way. The show was cut a little short because of it, but it still felt like a full show, so we weren’t disappointed. And we had just gotten back to the car when the rain started again, and as soon as we hit the main road, it was storming again just in time for our drive home. At least it didn’t storm out our show!

Tuesday, June 8th was the Wakey!Wakey! show in Charlottesville, so Kelli and I attended that show as well. This time, we were joined by three others to give us a van full. My friends (and fellow One Tree Hill fans), Amanda and Katie, joined us for the show, and Kelli’s friend Carrie tagged along as well. She hasn’t discovered One Tree Hill, but she had heard of Wakey!Wakey! and liked their music enough to attend. It was a blast to do an all-girls road trip to Charlottesville for the show.

Once we had arrived on the downtown mall and parked, we set out on foot to find some dinner. Mike Grubbs (lead singer of Wakey!Wakey! and Grubbs of One Tree Hill) was standing outside the venue talking to some fans. The Grubbs-sighting certainly turned up the excitement a bit!

The first restaurant we went to had a longer list of what they didn’t have than what they did have from their menu, so we gave up on that and instead walked over to a pizza place where I got dinner for $2.25. Not bad!

We were lined up outside The Southern before the doors had even opened, and even after they opened the doors to the café side, we waited for what seemed like eternity for doors to open to enter the venue. As we stood a few feet back from the door (so as not to be in the way), some clueless guy barged in front of us, spread his arms in front of the door and proclaimed, “Nobody better try to steal my spot in line!” I was sorely tempted to say, “You mean like you just stole ours?” but I just rolled my eyes and let it go.

As we were waiting, I spotted Patrick and Tanya setting up the merch table. Wakey!Wakey! has flown up the charts fairly quickly, but most of the band (aside from Mike Grubbs) can still fly under the radar without being spotted by fans. However, I had already fallen in musical love with Patrick’s violin playing when I saw them in New York, so I was quick to recognize him. He hung around and chatted with us for a while and was really delightful. I adore talented musicians that also have a charming personality.

Finally, the doors opened and, despite the jerk-y line-cutter guy, we still ended up with a great spot inside to watch the show. None of us had heard of the opening act, The Spring Standards, but they put on a great show and we all really enjoyed them.

And just to make sure none of us ever forgot them, they hammed it up covering “Kiss From a Rose” and delighted the crowd. I filmed a clip of it, but someone else at the show actually caught the whole thing, so I’m going to post their video instead, as it’s far superior to my own:

The Spring Standards called Mike Grubbs out on stage for their last song, and it was apparent that these two groups have really enjoyed touring together. Then, with a thrilling opening set completed, it was time for Wakey!Wakey!

I watched most of the show from right next to the stage on the side where Grubbs was seated at his keyboard. Everyone in the crowd was having a great time, and we were all in it together, making it easy to move around to take pictures on either side of the stage. The show was all-ages and Mike’s mother was in the audience (for her first time seeing them perform) so he made sure to edit out all the questionable words. This caused him to stumble over a line when he nearly missed his edit, at which point he chuckled and yelled “I love you, Mom!” before continuing with the song.

Their sound is a little too “big” to get along with the little bitty speaker on my camera for video, but Grubbs played a few songs without the band, including this little number, which he said he had just written that day, was sure it would be a hit, and he was still a little nervous about playing it in front of people. You will see why that got quite a few giggles from the audience.

I also shot this very back and forth video of “Twenty-Two” from Patrick’s side of the stage. I wanted to capture when he put down his violin and took to whistling for this song:

After the show, all the members of Wakey!Wakey! were on hand to sign our “Brooklyn” posters and pose for some pictures. I got Patrick to smile for me:

And here’s a group shot of the whole gang with a very happy Katie:

We got home very late (or early the next day, depending on your perspective), but it was well worth it for a great night out with the girls…and of course Wakey!Wakey!

On Thursday (June 10th), Jessica, Thai and I took the day off and set out for a day in Richmond, to be capped off with a Josh Ritter concert that night. We started the day by having breakfast at Cracker Barrel (gotta feed the child bacon and eggs or she doesn’t function) and then we hit the road, playlist at the ready, for our great adventure. When we got to Richmond, our first stop was Ray’s for some delicious custard to give us something cold before braving the heat of the day. From there, we drove on to Maymont Park, a beautiful and expansive park which was donated to the City of Richmond following the death of its owners, James and Sallie Dooley.

Maymont is a Victorian estate of the Gilded Age, and the Dooleys’ home is an extravagant display of the wealth James Dooley made rebuilding Richmond and much of the South following the Civil War. The beautiful gardens on the estate were kept to Mrs. Dooley’s exact specifications, and she walked the grounds daily to make sure everything was kept up to her liking.

Photography is not allowed inside the house for security reasons, but you should definitely stop by for a tour if you are ever in the Richmond area. On the day of our tour, they were focusing on the many Tiffany pieces the Dooleys owned and/or commissioned for their home. My favorite aspect of the Maymont Mansion is the large stained glass window above the stairwell. It was (and still is) quite unusual for a private home to feature stained glass.

We did take several pictures of the Maymont grounds, and toured both the Italian and Japanese gardens. I’ve thrown several of Jessica’s pictures in with my own here:

We all crossed over the stepping stones at the koi pond, and Thai pointed out all the fish to us.

Thai got very adventurous with the waterfall in the Japanese gardens. I got very… terrified, and was happy when she came down. The child has no fear.

Of course, we were outside in the hottest part of the day (on a very hot day), so we were all overheated and ready to get back to the car. On the way back up the looong stairwell from the bottom of the waterfall, we got more than we bargained for when we ran into a snake!

He was directly in our path, leaving me to say “What do we do now?” and Jessica to reply “We resign ourselves to living here, that’s what” and both of us to yell “THAI! GET AWAY FROM THE SNAKE!” as she kept inching closer to him as if drawn in by force.

She eventually stepped over the snake and went up the stairs, putting the snake between us and the young’un. Jessica has a greater fear of snakes than even I do – and I am pretty well terrified of them myself, so we had to wait for the snake to crawl away (and luckily not in the direction of us or Thai) before we could continue our climb up the stairs.

Needless to say, we were all quite happy to get back to the car and the A/C, where there were no unwanted wildlife.

Our greatest disappointment of the day came when we arrived at The Cheesecake Factory and discovered that they were closed due to “technical difficulties” which actually translated to “plumbing catastrophe.” We were broken-hearted, but we were also on a schedule, so we had our late lunch at Baker’s Crust instead. By the time we finished eating, The Cheesecake Factory had reopened, so we stopped in to get a cheesecake to go (Jessica had brought a cooler for that very purpose).

From there, it was on to the Lewis Ginter Botanical Gardens for the show. (They have weekly concerts through the summer and had played host to Patty Griffin just the week before.) We took a few more pictures of the lovely gardens (and we had a better day to do it than Kelli and I had the week before):

As we walked down to the lawn for the show, we saw this adorable hippie family walking in with their little girls in sundresses and flowers in their hair. The littlest girl kept calling out for her “Daddy’s” attention and then she would gleefully say “Josh Wittuh!” as if to make sure that was really who he was taking her to see. So. Cute.

Jessica really enjoyed the opening act, Sahara Smith, who told us (to our great surprise) that it was her first show on her first-ever tour:

Thai was very helpful in counting down the number of songs the other opening act had remaining before Josh Ritter was going to take the stage. She didn’t even know Josh Ritter, but she was sharing in my excitement, which I always appreciate. Having impeccable music taste for an 8-year-old, however, she was a fan by the end of the night, making sure she could listen to his music on Jessica’s iPod, and making sure we got a good picture of him playing. Jessica’s camera was much better for this task, and she snagged a few great shots for me (and Thai). The first picture is about the best my camera could do in this setting.

I learned something new at this show. Josh’s bass player (among many other stringed and brass instruments) Zack Hickman actually hails from our very own Lynchburg, VA. He is an incredibly talented musician and a delight to watch on stage.

Having secured a spot up front, center stage for the show in Philly, I was content to hang back and enjoy this performance from the comfort of my camping chair. And aside from their propensity for getting in my way, I enjoyed watching the crowd gravitate to the stage song by song. He certainly knows how to engage the audience and he is a powerful performer as well as a prolific songwriter.

I didn’t have the presence of mind (or the unobstructed view) to take any video at the show, but here’s a performance of “To the Dogs or Whoever” from David Letterman after “Historical Conquests” came out (the album before this one). So, Letterman and I present:

Josh Ritter and the Royal City Band

I will be happy to see him time and time again. In fact, you’d be hard pressed to keep me away.

I have no more concerts on the schedule until The Avett Brothers at Myrtle Beach the weekend after my birthday, although I have been compulsively checking Lucero’s tour dates, hoping they come near me. Is there anything else I shouldn’t miss?

I Couldn’t Breathe Without Your Music In My Lungs

I marvel at those lists that boast the best songs or albums… of the year, of the decade, or of all time. I am equally fascinated every time someone posts a more personal list of their 10 favorite songs or their most influential albums. Just thinking about crafting a list of that sort is daunting enough to scare me away from it. I feel like my opinions on that change with every day, every mood, and every new album released. The only question I can answer with some certainty is “Who is your favorite artist?” and even then, it’s a three-way tie between Derek Webb, Ryan Adams, and Levi Weaver.

There are songs that I will always love for various reasons. I’d never scroll past a radio station playing “She’d Give Anything” (Boy Howdy) because it brings a surge of memories, and quite frankly, I still relate to it. But I also couldn’t really name one other song that group ever did – and I probably wouldn’t want to! On the other end of the musical spectrum, there are songs like “Paris is Burning” by St. Vincent, which – while I have no emotional attachment to it whatsoever – awes me every time I hear it. That song is a work of art – a masterpiece, actually. But it doesn’t hold a piece of my heart like that cheesy country song from 1994.

Then, there are songs that are my favorites for a day, a week, or a month, and then I move on. I get stuck on songs like “Daughters of the Soho Riots” (The National) or “I and Love and You” (The Avett Brothers) and listen to them on repeat until they are branded on my soul. But catch me one Friday afternoon in the summer on the open road with the windows down, and I just might be rocking out to Fall Out Boy. When I’m 90 and in the nursing home, I’m going to remember The National, but “Dance Dance”? Probably not.

I face this internal conflict about music. On the one hand, I savor music that is well-crafted, with atypical chord progressions and lyrics that slay me. On the other, I can and will rock out like a 12-year-old when I hear the New Kids on the Block, and I pity the fool standing between me and the dance floor if the DJ plays “You Shook Me All Night Long.” It’s like I have Multiple Musical Personality Disorder. And I make no apologies for it.

Thankfully, I have a lot of friends who are the same way, and we float recommendations back and forth to great effect. Word of mouth is the new way to discover music, since radio is on life-support and desperately waiting for someone to put it out of its misery. I’ve also discovered quite a few artists thanks to music supervisor Lindsay Wolfington and music-loving show creator Mark Schwahn over at One Tree Hill, who are responsible for introducing me to the likes of Trespassers William, Lucero, Wakey!Wakey! and others, as well as causing me to give a little more play to music legends like The Cure or Led Zeppelin.

So, despite my ever-changing, ever-growing musical catalogue, I decided to attempt to satiate the masses (heh.) by discussing some artists, albums, or songs that have either had a profound impact on me, or that represent an era in my life.

Let me begin by saying that I grew up on country music. And when I say “grew up on,” the truth is that I’m not sure I even knew that any other kind of music existed. When people talked about “the King,” I figured that must surely be George Strait. I don’t regret that upbringing by any means. Even though country music crashed into Shania Twain mountain long ago, some of it still holds a special place in my heart. For example, Clint Black was my first crush (not counting He-Man) in his tight jeans (why, Clint?), his blazer, his black cowboy hat, and that grin. I still think he is adorable to this day. My favorite artist growing up, though, was The Judds. They provided the soundtrack to my childhood, and I still love listening to them. I have every album they ever made, but back when all I had was two Judds’ cassettes (Love Can Build a Bridge and River of Time), my Mom had the Greatest Hits on vinyl. Anytime I was left home alone as a child, I’d slip down to the record-player and crank this album up while I sang along and danced around the living room. When I was 10, Naomi got sick and The Judds came down to just Wynonna. Her solo album was the first CD I ever owned, given to me on my birthday along with a “boom box” that still resides somewhere in the dark depths of my closet. And since not many pre-teens can afford to expand their record collections too much, this album is about all I listened to for years. I loved every beat of it. I still think Wynonna is one tough broad with an amazing voice. And lest I should ever be without a boots-clad, guitar-playing country boy to swoon over, I have Joe Nichols for that.

Then, about 15 years ago, my musical landscape changed forever. I related the story on my old blog of how I came to own the self-titled Caedmon’s Call cassette tape, which was my introduction to what would become my favorite band of all time. This album made me fall head over heels in love with music, and I have never looked back. That album followed into 40 Acres, which houses one of the contenders for my favorite song (“Somewhere North”) as well as the song responsible for my internet alter-ego, “Shifting Sand.” After the release of “Long Line of Leavers” in 2000, Caedmon’s Call lost a few of their key members – Aaron Tate and Derek Webb – to other projects. Unfortunately, Derek and Aaron were their chief songwriters, and without their well-crafted lyrics to drive the music, the band lost quite a bit of its luster in my eyes.

Three years later, I got the magic back when Derek Webb re-emerged with his first solo offering, “She Must and Shall Go Free.” To me, it packed a punch akin to Luther’s 95 Theses, and Derek has not stopped convicting and infuriating the Christian community since. No matter what anyone says about Derek Webb, though, he stands by his convictions and backs them up with the way he lives his life. So, even if I don’t always agree with him, I can always respect him. Luckily, we tend to agree. I had the great privilege of meeting Derek Webb several years back, and since then, I’ve scarcely missed a show within a reasonable driving distance, and I find that I enjoy hearing what he has to say as much as listening to his songs.

Of course, I listened to more in my teen and college years than just Derek Webb and Caedmon’s Call (though that certainly captured the majority of my attention). Alanis Morissette got me through the angst with “Jagged Little Pill,” which was certainly a departure from my usual musical style, but a great album is a great album and THAT was a great album. To carry on with my country background, I left the Dixie Chicks’ “Wide Open Spaces” in my CD player for probably a year, and even if I live to be 200 years old, I’ll probably still know that album from beginning to end. And like any good teenager of the 90s, I had to participate in the great debate: ‘NSYNC or BSB? I sided with the Backstreet Boys and collected EVERYTHING – carefully-clipped magazine articles, posters covering 90% of my bedroom walls, CDs shaped like their heads (which you probably didn’t know existed, did you?), and VHS tapes of concerts that I watched over and over again with my cousin, Tracey. She loved Brian and I loved AJ. I kind of still have an AJ poster on the wall in my office at home, but I swear, I’ve been thinking about taking it down. For some weightier subject matter, I had Jennifer Knapp’s Kansas, which remains a favorite album of mine to this day.

Over the course of college, I stopped hearing any new music that I liked, because the radio certainly wasn’t playing it, and I didn’t really know where to get it. I also had some trying times in college, where I listened to Alison Krauss non-stop in my car as if the engine wouldn’t run otherwise. At a certain point, I wasn’t listening to music much at all, because there was nothing to compel me or excite me or awaken that part of me anymore.

Then one day, something happened that changed my life as much if not more than that Caedmon’s Call cassette had ten years earlier….

I created a MySpace profile. I know what you’re thinking. MySpace is basically a joke now (although I am thinking of returning there post-haste if they can promise no Farmville or Mafia Wars), but there was a time when MySpace was the hub of the internet and, for all its faults, it created the opportunity for independent artists to network and connect with fans that would never hear their songs played on the radio or stumble into one of their shows. The down side was that anyone who thought they had talent could put their music out there to the masses, and it became tedious trying to separate the wheat from the chaff.

Before the random friend requests became overwhelming, though, and MySpace was still quite new to me, I got a request to become “friends” with an England-based musician by the name of Levi Weaver. I clicked over to his page out of curiosity and immediately connected to the music that I heard. The lyrics were brilliant – with depth and authenticity – and the sound drew me in completely. Beyond that, I gave the profile a once-over and the bio impressed me enough that I decided to message Mr. Weaver and let him know that he had a new fan in me.

To my surprise, I received a fast response from Levi, despite the fact that it was well past midnight in England at the time. I’m not sure I can trace the progression from there, but suffice it to say we have become friends over the years, and music or not, I feel blessed to know him. Luckily for all of us, he has continued to produce one amazing song after the other with no signs of slowing down. So, I am grateful to be along for the ride, and because I pity the people who have not been introduced to his music, I try to spread the word at any opportunity.

(To wit, you can actually go HERE and subscribe to the new album AND get your hands on the rest of his catalog for one very small lump sum. Support independent artists, people!)

Discovering Levi’s music was enough to reawaken my slumbering zeal for the arts, but it didn’t stop there, because Levi proceeded to turn me on to the third member of my musical trifecta – Ryan Adams.

While I have specific (heart-warming!) stories to relate about Derek Webb and Levi Weaver, I have no such anecdote for Ryan Adams. I’ve never met him, and can boast only having been within about 20 or 30 feet of him at concerts. All I know is that once I got a small taste of his music, I could not stop listening until I had heard it all. And hearing it “all” is no small feat when you’re talking about a musical genius the likes of Ryan Adams, who gained renown for cranking out music faster than his fans could listen to it. Since I arrived at the party about a decade late (when you count his earlier Whiskeytown recordings), I had a lot of catching up to do. I started with a few selected songs that spanned the years, and then rushed out to get his latest release at the time, “Easy Tiger.” I loved it and it sent me into a frenzy collecting the other albums – albums that even surpassed what I had already heard. “Heartbreaker” (possibly his most acclaimed album), “Cold Roses,” and “Love Is Hell,” to name a few, are filled with amazing melodies, lyrics, and emotions. Much of his music was never officially released through a label, and came through Adams himself as he released the music online directly to fans – and the songs are by no means second rate! My favorite studio album, though, is “Gold.” The title may imply that it is some kind of “best of” collection, but it’s not – it’s an original album that houses several of my favorite Ryan Adams’ songs, like “The Rescue Blues” and “New York, New York.” While a lot of his music tends toward the melancholy, the content of “Gold” seems a bit lighter when compared to some of his other fare. It also contains the widely-covered song, “When the Stars Go Blue,” which shines best through the voice of its author. (And I can only hope that Ryan Adams got a LOT of money from Tim McGraw’s cover version, because that has got to be the most tragic thing to happen to a song in my lifetime.)

As my friend and office-mate, Kelli, will tell you, there are some days that I just do not function on anything other than Ryan Adams. Luckily, she also has a great appreciation for his music, so she doesn’t mind, and I dare say she’s had a few of those “Ryan Adams Days” herself. Sadly, Ryan Adams is on an indefinite “break” from making music (though he has been producing books of prose with about as much regularly as he did his music), but I am banking on the notion that a consummate musician like him will not be able to help but make more music as time wears on. If not, I take comfort in knowing that I have a tremendous catalog of his music that I can and will listen to until the end of time.

This blog has run a bit lengthy, even by my verbose standards, so while I could probably go on forever discussing this topic, I will leave you off by rounding out my top five favorite artists for you. Coming in at number four is Josh Ritter, who honestly took a while to grow on me. That recommendation came through Levi, as well, and though I was immediately taken by some of Ritter’s lyrics, I wasn’t sold on the sound, and I was ready to throw in the towel. Levi challenged me to press on, and I did – thank goodness I did! Ritter’s voice grew on me, and his lyrics have kept me coming back for more. (Lyrics always get me.) Critics say that Josh Ritter gets better with each album, which I do not doubt and am eagerly looking forward to his next release in May after a LONG wait, but while I think both “The Animal Years” and “The Historical Conquests of Josh Ritter” are epic albums, I stand by my favorite Josh Ritter album, “Hello Starling.” My favorite tunes on that album are “Kathleen” and “Snow is Gone.” Check it out.

My number 5 choice came through Levi in a way, though in this case he is the one that needs to see the light and embrace this artist. Through the marvel of the internet, and the mutual connection to Levi, I have gotten to know Mel, who is always ready to share her musical discoveries (and she has a keen ear for them). So, she is the one who introduced me to Patty Griffin, and oh, what a gift that has been. It is hard to single out one Patty Griffin album, because they are all filled with her rich, soulful style and there are plenty of songs to treasure. For the sake of this exercise, I am going to mention “Impossible Dream” because it contains my favorite Patty Griffin song (which also happens to be the one that most easily slays me), “Useless Desires.”

What are some of your favorite artists or songs or styles? I am interested to know. And if you want to talk even more about music, you know where to find me and I am always up to the task! If you’re just hearing about any of the acts I mentioned above, then you have some rewarding work ahead of you checking them all out!