Archive for the ‘Music’ Category

Pawning Off Pieces of My Heart

My birthday countdown is on (and has been for some time, truth be told), and it gets harder each year to do something that will top the previous year’s celebrations. Amidst the vacations, spa days, and luncheons I had last year, I hosted a Levi Weaver listening party to share the first single from his year-long subscription-based album, The Letters of Dr. Kurt Gödel. The song (“We’re Tornadoes When We Dance”) was well-received and my friends who were there got to hear Levi play the song live when he stopped through Lynchburg on tour last fall.

Since then, Levi has been steadily working on the album, releasing it one song at a time to album subscribers – of which I was happy to be one of the first! Eleven months later, my iPod holds 11 new songs, 11 live versions of old songs, and 11 videos from that live show. There are two more months of songs yet to come, and all of this comes with a $10 subscription over at www.leviweaver.com.

In case you’re wondering what all of this has to do with my birthday, I am getting around to that. I try to fill my birthday with all of my favorite things, and there are few things I love more than music. And on the list of music that I love, the top spot goes to Levi Weaver. After a long dry spell, he is the artist who made me fall in love with music again, and five years later, his lyrics still slay me and his ability to craft a song amazes me. On top of all of this, he’s a great friend and an inspiring human being.

I approached Levi about buying some extra subscriptions to his album for the purpose of giving them away for my birthday. I wanted to buy five and see if he’d match me, allowing me to give away ten subscriptions. He exceeded my expectations (though I shouldn’t be surprised by that anymore) and offered to give me all ten for free!

So, here’s the deal. In celebration of my birthday, I am hosting a contest to give away 10 free subscriptions to Levi Weaver’s “The Letters of Dr. Kurt Gödel,” which also includes the songs and videos from his project, “Live at The Prophet Bar.”

Entering is easy:

1. Head over to www.leviweaver.com/music, where you can listen to all the tracks from Levi’s first EP, “Civil War Between My Heart and Mind,” the full-length “You Are Never Close to Home, You Are Never Far From Home,” and even six tracks from “The Letters of Dr. Kurt Gödel.”

2. Choose a song that connects with you. (If you have a soul, this will not be a problem.)

3. Proceed to www.leviweaver.com/forum and register to post. (Registration requires only a username and email address. You will get an email confirming your registration and providing your password, and that is the only email you will ever receive unless you sign up for the mailing list separately.)

4. Find the thread called “Amanda’s Birthday Giveaway” and post the song (or songs!) you chose and give the reason why you like that song. It doesn’t matter if you love the chord progression or one of the instruments or one line of the song, or if listening to that song radically changed your life. Just share what it is that you like about the song.

5. Do all of this by Sunday, August 15th.

To remain impartial, I am going to let the other established forum members (who are already subscribed) vote privately on their favorite entries. Each vote will equal one entry, and on Tuesday, August 17th (that’s my birthday, folks), I will draw names and announce the ten winners on the forum and on this blog. I will also give three bonus entries to the first person to identify the Levi Weaver song that contains the phrase: “pawning off pieces of my heart.”

The ten winners will have their choice of either:

1. A code to get the $10 subscription for free.

2. A code for $10.00 off any subscription level above $10, or 10% off levels of $250 or more. (You can check out the perks of each level at www.leviweaver.com/merch)

Any winners who use the $10.00 off to subscribe at a level of $25 or higher will be entered into another drawing to have all of your physical CDs signed, as well as an autographed poster (from the “Civil War Between My Heart and Mind” era), and Levi will send you a postcard from the road while he is on tour.

I decided to do this for my birthday because I love sharing music, and introducing people to new music they haven’t heard before, but it is also very important to me that Levi continues to make music. He doesn’t have a major label (or even a minor label), he’s not independently wealthy, and he has a wife and a son to support. The music industry is not an easy field, and he doesn’t get a steady paycheck every other Friday, so his ability to keep making music depends upon the support of his fans. It would mean the world to me if you would use this opportunity to support Levi and his music. I cannot think of a better birthday gift.

The String Section’s Screaming Like Horses in a Barn Burning Up

My favorite thing about summer is the concert season. I’ll put up with the heat if it means I get to see a lot of great bands in return. In fact, I kicked off concert season back in April when I saw Matthew Perryman Jones and Wakey!Wakey! in New York, and then followed it up by catching MPJ again a few days later when he came through Charlottesville, and then heading to Richmond a few days after that to see The National for the first time. One week, four concerts. Two weeks later, I hopped a train to Philly to catch the first show on Josh Ritter’s U.S. tour for “So Runs the World Away.”

After that, I had nearly a month of no concerts at all before reaching June 3rd, which kicked off another music-filled week with the first of three concerts.

Kelli was my partner-in-crime for June 3rd’s show. We closed our office a little early and hit the road to Richmond to see Patty Griffin at the Lewis Ginter Botanical Gardens. We weren’t thirty minutes from home when storms treated us to torrential downpours that carried us all the way to Richmond. We could barely see where we were going, and cars on the interstate were driving with their emergency lights flashing. All this, and we were on our way to an outdoor concert.

Ten minutes before we reached our destination, however, the clouds parted and we drove out into a beautiful day. We thought we were home free, but as we stood in line with our chairs and blankets to enter the garden, dark clouds were gathering in the sky once again. We went in, got some food (as we hadn’t had time to stop for dinner), and claimed a nice spot on the lawn. We had just commenced our picnicking when a staff person came around to tell everyone to go inside because a storm was coming and there was lightning just a few miles away. We packed up everything and went inside the building to eat. By this time, the concert was supposed to be beginning, and I worried that they were going to call it off. Half an hour later, the storm still hadn’t come, and we decided to go back outside and walk around. The sky to the west of us was yellow, and we could see that it was raining hard just over the ridge in the distance. They opened the larger building and we went back inside again, hoping for a reprieve.

By that time, the concert was running an hour and a half behind, and there still hadn’t been more than the threat of a storm. I was getting antsy, so I went outside to walk around and take some pictures. We were at the botanical gardens, after all.

As I was walking around, Kelli called to alert me that everyone was making a mass exodus from the building back down onto the lawn. We followed along and found new places on the lawn. Of course, by then it had just started to rain. Luckily, Kelli brought her umbrella!

Seems like nobody gave up and left while we were waiting out the non-storm. The lawn was full!

With the end of the rain came a beautiful double rainbow, making a half-circle around the stage just in time for the show to begin!

The opener moved quickly because the show had been delayed, and it wasn’t long before Buddy Miller graced the stage. He is legendary. He only did one song solo before he invited Patty Griffin out on the stage, and she backed him on a few more of his songs.

They all left the stage and Patty re-emerged alone, but quickly brought Buddy Miller and the band back out and they rocked the house as the sky darkened.

I was a little too far from the stage to get any good video footage, but I did record a clip of “Death’s Got a Warrant” as I marveled at Patty’s vocal strength. The video certainly doesn’t do her justice, but you can get the general idea:

For the last 30 minutes of Patty’s set, we also had a lightning show to our west, and we knew another storm was on the way. The show was cut a little short because of it, but it still felt like a full show, so we weren’t disappointed. And we had just gotten back to the car when the rain started again, and as soon as we hit the main road, it was storming again just in time for our drive home. At least it didn’t storm out our show!

Tuesday, June 8th was the Wakey!Wakey! show in Charlottesville, so Kelli and I attended that show as well. This time, we were joined by three others to give us a van full. My friends (and fellow One Tree Hill fans), Amanda and Katie, joined us for the show, and Kelli’s friend Carrie tagged along as well. She hasn’t discovered One Tree Hill, but she had heard of Wakey!Wakey! and liked their music enough to attend. It was a blast to do an all-girls road trip to Charlottesville for the show.

Once we had arrived on the downtown mall and parked, we set out on foot to find some dinner. Mike Grubbs (lead singer of Wakey!Wakey! and Grubbs of One Tree Hill) was standing outside the venue talking to some fans. The Grubbs-sighting certainly turned up the excitement a bit!

The first restaurant we went to had a longer list of what they didn’t have than what they did have from their menu, so we gave up on that and instead walked over to a pizza place where I got dinner for $2.25. Not bad!

We were lined up outside The Southern before the doors had even opened, and even after they opened the doors to the café side, we waited for what seemed like eternity for doors to open to enter the venue. As we stood a few feet back from the door (so as not to be in the way), some clueless guy barged in front of us, spread his arms in front of the door and proclaimed, “Nobody better try to steal my spot in line!” I was sorely tempted to say, “You mean like you just stole ours?” but I just rolled my eyes and let it go.

As we were waiting, I spotted Patrick and Tanya setting up the merch table. Wakey!Wakey! has flown up the charts fairly quickly, but most of the band (aside from Mike Grubbs) can still fly under the radar without being spotted by fans. However, I had already fallen in musical love with Patrick’s violin playing when I saw them in New York, so I was quick to recognize him. He hung around and chatted with us for a while and was really delightful. I adore talented musicians that also have a charming personality.

Finally, the doors opened and, despite the jerk-y line-cutter guy, we still ended up with a great spot inside to watch the show. None of us had heard of the opening act, The Spring Standards, but they put on a great show and we all really enjoyed them.

And just to make sure none of us ever forgot them, they hammed it up covering “Kiss From a Rose” and delighted the crowd. I filmed a clip of it, but someone else at the show actually caught the whole thing, so I’m going to post their video instead, as it’s far superior to my own:

The Spring Standards called Mike Grubbs out on stage for their last song, and it was apparent that these two groups have really enjoyed touring together. Then, with a thrilling opening set completed, it was time for Wakey!Wakey!

I watched most of the show from right next to the stage on the side where Grubbs was seated at his keyboard. Everyone in the crowd was having a great time, and we were all in it together, making it easy to move around to take pictures on either side of the stage. The show was all-ages and Mike’s mother was in the audience (for her first time seeing them perform) so he made sure to edit out all the questionable words. This caused him to stumble over a line when he nearly missed his edit, at which point he chuckled and yelled “I love you, Mom!” before continuing with the song.

Their sound is a little too “big” to get along with the little bitty speaker on my camera for video, but Grubbs played a few songs without the band, including this little number, which he said he had just written that day, was sure it would be a hit, and he was still a little nervous about playing it in front of people. You will see why that got quite a few giggles from the audience.

I also shot this very back and forth video of “Twenty-Two” from Patrick’s side of the stage. I wanted to capture when he put down his violin and took to whistling for this song:

After the show, all the members of Wakey!Wakey! were on hand to sign our “Brooklyn” posters and pose for some pictures. I got Patrick to smile for me:

And here’s a group shot of the whole gang with a very happy Katie:

We got home very late (or early the next day, depending on your perspective), but it was well worth it for a great night out with the girls…and of course Wakey!Wakey!

On Thursday (June 10th), Jessica, Thai and I took the day off and set out for a day in Richmond, to be capped off with a Josh Ritter concert that night. We started the day by having breakfast at Cracker Barrel (gotta feed the child bacon and eggs or she doesn’t function) and then we hit the road, playlist at the ready, for our great adventure. When we got to Richmond, our first stop was Ray’s for some delicious custard to give us something cold before braving the heat of the day. From there, we drove on to Maymont Park, a beautiful and expansive park which was donated to the City of Richmond following the death of its owners, James and Sallie Dooley.

Maymont is a Victorian estate of the Gilded Age, and the Dooleys’ home is an extravagant display of the wealth James Dooley made rebuilding Richmond and much of the South following the Civil War. The beautiful gardens on the estate were kept to Mrs. Dooley’s exact specifications, and she walked the grounds daily to make sure everything was kept up to her liking.

Photography is not allowed inside the house for security reasons, but you should definitely stop by for a tour if you are ever in the Richmond area. On the day of our tour, they were focusing on the many Tiffany pieces the Dooleys owned and/or commissioned for their home. My favorite aspect of the Maymont Mansion is the large stained glass window above the stairwell. It was (and still is) quite unusual for a private home to feature stained glass.

We did take several pictures of the Maymont grounds, and toured both the Italian and Japanese gardens. I’ve thrown several of Jessica’s pictures in with my own here:

We all crossed over the stepping stones at the koi pond, and Thai pointed out all the fish to us.

Thai got very adventurous with the waterfall in the Japanese gardens. I got very… terrified, and was happy when she came down. The child has no fear.

Of course, we were outside in the hottest part of the day (on a very hot day), so we were all overheated and ready to get back to the car. On the way back up the looong stairwell from the bottom of the waterfall, we got more than we bargained for when we ran into a snake!

He was directly in our path, leaving me to say “What do we do now?” and Jessica to reply “We resign ourselves to living here, that’s what” and both of us to yell “THAI! GET AWAY FROM THE SNAKE!” as she kept inching closer to him as if drawn in by force.

She eventually stepped over the snake and went up the stairs, putting the snake between us and the young’un. Jessica has a greater fear of snakes than even I do – and I am pretty well terrified of them myself, so we had to wait for the snake to crawl away (and luckily not in the direction of us or Thai) before we could continue our climb up the stairs.

Needless to say, we were all quite happy to get back to the car and the A/C, where there were no unwanted wildlife.

Our greatest disappointment of the day came when we arrived at The Cheesecake Factory and discovered that they were closed due to “technical difficulties” which actually translated to “plumbing catastrophe.” We were broken-hearted, but we were also on a schedule, so we had our late lunch at Baker’s Crust instead. By the time we finished eating, The Cheesecake Factory had reopened, so we stopped in to get a cheesecake to go (Jessica had brought a cooler for that very purpose).

From there, it was on to the Lewis Ginter Botanical Gardens for the show. (They have weekly concerts through the summer and had played host to Patty Griffin just the week before.) We took a few more pictures of the lovely gardens (and we had a better day to do it than Kelli and I had the week before):

As we walked down to the lawn for the show, we saw this adorable hippie family walking in with their little girls in sundresses and flowers in their hair. The littlest girl kept calling out for her “Daddy’s” attention and then she would gleefully say “Josh Wittuh!” as if to make sure that was really who he was taking her to see. So. Cute.

Jessica really enjoyed the opening act, Sahara Smith, who told us (to our great surprise) that it was her first show on her first-ever tour:

Thai was very helpful in counting down the number of songs the other opening act had remaining before Josh Ritter was going to take the stage. She didn’t even know Josh Ritter, but she was sharing in my excitement, which I always appreciate. Having impeccable music taste for an 8-year-old, however, she was a fan by the end of the night, making sure she could listen to his music on Jessica’s iPod, and making sure we got a good picture of him playing. Jessica’s camera was much better for this task, and she snagged a few great shots for me (and Thai). The first picture is about the best my camera could do in this setting.

I learned something new at this show. Josh’s bass player (among many other stringed and brass instruments) Zack Hickman actually hails from our very own Lynchburg, VA. He is an incredibly talented musician and a delight to watch on stage.

Having secured a spot up front, center stage for the show in Philly, I was content to hang back and enjoy this performance from the comfort of my camping chair. And aside from their propensity for getting in my way, I enjoyed watching the crowd gravitate to the stage song by song. He certainly knows how to engage the audience and he is a powerful performer as well as a prolific songwriter.

I didn’t have the presence of mind (or the unobstructed view) to take any video at the show, but here’s a performance of “To the Dogs or Whoever” from David Letterman after “Historical Conquests” came out (the album before this one). So, Letterman and I present:

Josh Ritter and the Royal City Band

I will be happy to see him time and time again. In fact, you’d be hard pressed to keep me away.

I have no more concerts on the schedule until The Avett Brothers at Myrtle Beach the weekend after my birthday, although I have been compulsively checking Lucero’s tour dates, hoping they come near me. Is there anything else I shouldn’t miss?

It’s a Long Way to Heaven, It’s Closer to Harrisburg

It’s now been a month since I got back from Philadelphia, and I am just getting around to the post-trip wrap-up blog. It’s pitiful, I know, but I’m going to plead “better late than never” on this one.

My best friend and oft-travel-buddy Jessica had expressed interest in doing a Philly trip a while back, so when Josh Ritter’s original tour dates were released, I eyed the Philly date and asked if she wanted to coordinate travel dates. She agreed, and we booked train tickets to Philly at the same time that we booked our flights to New York.

Doing two trips less than a month apart was a whirlwind endeavor, but it was worth it. I left the Philly itinerary to Jessica, so she could plan our stops at the many historical must-sees in the “Birthplace of America.” I joked with her before the trip that she could look at the SITES, and I would look at the SIGHTS. That little wordplay described our approaches very nicely. We’d walk up to an old building with a plaque on the side, and Jessica would rattle off three paragraphs of pertinent historical data, and I’d smile, hoist my camera, and say “Oooooh, pretty.”

As you’ll see in some of the pictures below, I tinkered around with them a bit to capitalize on that old-world look of Philly’s historic district. I had fun with them, so hopefully you’ll have fun looking at them.

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As always, I was less than thrilled with having to wake up at the crack of dawn to catch our train, but that is a necessary evil on travel days. This was also my first bona fide train ride (not counting the trains that circle Busch Gardens in Williamsburg). I was a bit tentative about having to sit in one place and just ride for 6+ hours, but I managed to occupy myself fairly well with my laptop and the lunches that Jessica so nicely packed for us. Thai, meanwhile, watched Supernatural on her portable DVD player:

We arrived in Philly just after noon, so once we got to our hotel and settled in a bit, we had time to get a jump start on our itinerary. Jessica hadn’t scheduled any official stops for our arrival Thursday afternoon other than a walk down to the water, but we decided to seize the day and go ahead and cross a few places off of our list. Our first stop was barely a block from our hotel – the Christ Church Burial Ground, most famously known as the final resting place of Philadelphia hero Benjamin Franklin.

We then proceeded to Christ Church, which was founded in 1695 and birthed the American Episcopal Church. Its regular congregation included 15 signers of the Declaration of Independence and numerous Revolutionary War leaders, including George Washington, Benjamin Franklin, and Betsy Ross (who was no longer welcome at the Quaker Meeting House following her marriage to John Ross). When the steeple was added in 1754, Christ Church became the tallest building in North America for a time.

George Washington’s family pew is pictured here:

Several individuals are buried inside the church, with grave markers in the floor. This was a mark of great honor.

The oldest item at Christ Church is this baptismal font, gifted to the church in 1697 by a church in London. This is the font in which William Penn was baptized, and it is still in use today. The tour guide told us not to be deceived by its age – it is by no means fragile. When they use it for baptisms, it takes 4 men to lift the lid.

After spending some time admiring the inside and outside of the church, we proceeded towards the water, going out to the river via Penn’s Landing.

We stopped for dinner on our way back, and we were all wiped out from our travels, so we were happy to retire early back at the hotel. We went to bed early to rest up for a long day of sight(site)-seeing on Friday, but at 1:00am, I awoke with a clear explanation for my unshakeable headache and complete exhaustion the day before – I was sick. Luckily, I brought medicine with me, so I just had to make it to the ice machine (about 10 feet from our hotel room door) so I could take some pills without waking the entire room. I found my key and wandered out into the hallway in my pajamas and slippers, and walked, and walked, and walked. Eventually I came to a dead end, considered sitting down on the floor to cry, but turned around and finally found my way to the ice machine and back to our room…just around the corner from the ice machine. I took the medicine, crawled back in bed, and munched on the ice to dispel the nausea. Thankfully, I managed to fall asleep, and awoke the next morning feeling much better.

At that point, I was thankful that we had jump-started our itinerary on Thursday, so we could take a more leisurely pace on Friday. We started out with breakfast at a diner, which was tasty and cheap. From there, we proceeded along our way, taking pictures of pretty buildings along the way.

We came to the “ghost house” of Benjamin Franklin, so named because no one knows exactly what it looked like, so all that stands are white frames showing the dimensions and basic style of the house.

Franklin Court is also home to the still-operating B. Free Franklin Post Office, the Printing Office and Bindery, and the restored office of the newspaper published by Franklin’s grandson. Below the court, there is an underground museum filled with artifacts from Benjamin Franklin’s life.

Subsequently, we visited the U.S. Mint, which did not allow photographs, but we did see a half-dollar replica on the wall regarding the issuance of the charter in 1786 for the founding of our own little Lynchburg, VA! And in true form, we saw nobody working!

Our next stop was possibly Philadelphia’s most recognized symbol – the Liberty Bell. I expected a tediously long line there, but was pleasantly surprised to discover that we merely had to go through a quick security check and then roam the museum at our leisure. To be perfectly honest, I expected the Liberty Bell to be quite a bit bigger, and Jessica was more than a little amused when I admitted to thinking it was a replica from afar.

Leaving the Liberty Bell, we were headed back to the hotel for a little bit of rest prior to our scheduled tour at Constitution Hall. On our way, however, we crossed paths with this delightfully purple horse and carriage combo, and decided to use our extra time to take that tour, highlighting some of the sites, and taking us through the aptly-named Society Hill.

One highlight was riding past this balcony, where George Washington delivered his 2nd inaugural address:

Our carriage dropped us off at our hotel, where we still had time to freshen up before going to Constitution Hall, where we were treated to a rather moving presentation on the U.S. Constitution and perused the exhibits upstairs before proceeding to Signers’ Hall, where Thai posed with a statue of James Madison – the President for whom she was named.

We were also able to add our own signature to the Constitution, and Jessica signed us up to get certificates to commemorate the occasion. I haven’t received mine yet, but we’ll see!

Constitution Hall also displayed flags from all 50 states, hanging in the order in which they joined the Union.

We made a point to look for Virginia’s flag, hanging tenth in line. (Delaware was first in 1787, and Pennsylvania, second; Alaska and Hawaii were last to join, in January and August of 1959, respectively.)

Leaving the Constitution Center, we walked to Franklin Square (not to be confused with Franklin Court from earlier), where we stopped to enjoy a snack of French fries and ice cream by the fountain.

And we all rode the carousel, too. Jessica had to act like an adult and ride the bench on the carousel, but Thai and I both loaded up on animals (they weren’t all horses), and enjoyed the ride.

Following our little afternoon stint at the park, we walked to Elfreth’s Alley, “our nation’s oldest residential street,” which has been home to more than 3,000 people since 1702.

Just a few blocks from Elfreth’s Alley sits the home of Betsy Ross, which is unmistakable upon approach:

No photography was allowed inside her home, either, but we enjoyed the brief tour just before the house closed for the day. On our way back to the hotel, I spied this collection of artwork lining the street:

(I’ll save you the headache – it says “You will be least appreciated by those for whom you do the most.”)

The place we tried to go for dinner had closed down permanently, apparently, so we just popped into the nearest sandwich shop we could find (which is not nearly as easy as it sounds) before heading back to the hotel.

We had separate plans for the evening. Friday night was my Josh Ritter concert, and Jessica and Thai had decided to take in the Phillies-Braves game. They had to leave before me, so I got a little time to rest before heading downtown, where I knew I’d be standing up for several hours (and standing in one place is not my best event).

Here are some pics Jessica took at the ball field, where they had a blast:

When it was time for me to go down to South Street, I hailed a cab and mere minutes later, I was seemingly in another world. South Street felt like a cross between SoHo and Nashville’s Honky Tonk District. There were bright lights and colors and people everywhere taking it all in.

I should have given myself a little more time to explore, but I wanted to go ahead and claim a spot at the front of the stage. The show was at the Theater of Living Arts, which was a beautiful venue. This marquee made me so happy!

Dawn Landes (who happens to be married to Josh Ritter) opened the show with her band. She played probably a 45-minute set to kick things off.

After the stage change, it was time for Josh Ritter, and I was so thrilled to be there. The only person more excited than me, I think, was Josh Ritter himself, because he bounded onstage like a kid who’d waited his whole life for the chance to be on stage and finally got it! It was the first night of his tour (in the U.S.), so I thought that might have played a part in his enthusiasm, but after talking to a friend who’s seen him multiple times, I learned that he always comes armed with plenty of gusto!

I was very close to the stage, affording me the chance to snap some pretty decent pictures. One of these days, I am going to get a camera that is actually made to do these sorts of things. In the meantime, it’s just me and my point and shoot.

The set included almost every tune from the newest album, as well as some old favorites, and each song was fantastic. It was cool to hear the crowd singing along, too, especially when the instruments quieted down and you could just hear Josh’s voice over a chorus of hundreds of people. I love being at a show where everyone is invested – they didn’t just drop by with a vague inclination to hear some live music – they came with passion and they knew every word.

Appropriately, when Josh sang “In the Dark,” he had them bring down the stage lights as well as the house lights – all but a few dainty chandeliers, and we all sang quietly together.

The serenity of the soft moments was matched by the fervor of the loud, driving songs, and everyone was into it.

The encore began with a beautiful rendition of “Moon River” before immediately kicking up several notches for “Snow is Gone,” and ended with a sing-along edition of “Wait for Love,” prompting Dawn Landes and her band to join him on-stage to sing along with the audience on the final song.

By the time I made it back to the hotel and showered, it was about 2am. Jessica and Thai were fast asleep and I was still wired with adrenaline. Somehow, I still managed to be the first one awake the next day. Since we were all a bit slow on the upswing Saturday, we ordered room service for breakfast instead of rushing around to get ready and shuffle off to a diner.

Our first stop Saturday was a scheduled tour at Independence Hall. In addition to being a prime historical location, it’s also among the most photogenic of Philadelphia’s buildings.

Our tour was extremely informative, and inspired a bit of wonder even in me, considering the events that took place within those walls.

Jessica was even more star struck, as you can see in her expression here:

Next door to Independence Hall is City Hall:

Having finished our tour there, we set out to see several other places on our list, walking some beautiful grounds along our way.

One such stop was at Carpenter’s Hall, where the men who worked on the Declaration of Independence held secret meetings, dressed as carpenters, so that if the British came around, they would have a logical reason for being together at night. Later, this same spot became home to the Carpenters’ Company, who were, as best I can tell, a bunch of snobs who refused to grant Thomas Jefferson admission into their stupid club.

We also traipsed through some beautiful gardens along our route, and I believe this one is in the English style:

It was around this area that we also encountered this adorable dog, shown here resting while his owner chatted on his cell phone. I wanted to take him with me!

We walked past a few other historical homes, several of which we could not enter, and made our way to Washington Square, which houses the Tomb of the Unknown Revolutionary Soldier. Many unidentified soldiers were buried within the park’s grounds.

The heat was really wearing on us by this time, even though it was barely afternoon. We pressed on to our last two stops: the Declaration Graff House and Edgar Allan Poe’s house, and we found both to be mysteriously closed in the middle of the day on a Saturday. We still haven’t solved that mystery, but we chalked it up to bad luck and instead retired to the hotel for a break from the heat and a little rest before heading out again.

Since we had really blazed a trail through our itinerary, we didn’t feel guilty about laying down for an afternoon nap on Saturday. I think it was refreshing for all of us. I still wasn’t feeling quite up to par, and the heat plus lots of walking is a recipe for exhaustion. Vacation, after all, should include a little rest.

Saturday night, Jessica treated us to dinner at the famous City Tavern, where, among many other historical figures, John Adams liked to go to enjoy “a feast of reason and a flow of soul.” The staff at the Tavern were in period dress, and the menu featured some of Martha Washington’s own best recipes. The table was beautifully set, as well.

Thai made friends with a gentleman who was working the room, keeping in character and entertaining diners with his interaction.

After a hearty dinner (and dessert!), we had tickets to go on a Ghost Tour (Thai’s idea, for sure), so we walked toward the Signer’s Garden to wait for our spooky tour to begin. Of course, we saw some picture-worthy buildings on the way.

Our tour amounted to walking from one place to the next as our guide would lead us, and then she’d stop and tell us about ghostly encounters that had taken place in that particular building or on those grounds. There seems to be a great need for Ghostbusters in Philadelphia.

No one was more enthused by the tour than Thai. She stuck close to the tour guide’s side and hung on her every word.

After our tour, we grabbed some snacks and dragged ourselves back to the hotel once again. We got showered and packed up and got in a good night’s sleep before our travel day on Sunday.

Sunday morning, we had time to go down to the Reading Market Terminal (essentially the community market), where we had breakfast and walked around to find some things to pack up for our “picnic” on the train ride home. Then, we went back to the hotel to collect our bags and head to the train station, homeward bound following a great trip!


All That You Can’t Leave Behind

As I write this, there is only one episode remaining in Season 7 of One Tree Hill. However, as the credits rolled following last night’s show, it was quite clear that there are still more stories to tell than can possibly be finished in one solitary episode. And yet, we’re all in a holding pattern, wondering if we’ll see these stories come to fruition, or if, after being faithful to this great show for seven years, its completion will be left to our imaginations.

As I’ve already covered in my last two posts, there are a million reasons to love One Tree Hill, and I don’t think it’s presumptuous in the least to say that The CW Network owes us a season 8 and a proper conclusion befitting the legacy of our show. So far, they’ve avoided giving any clear answers, either afraid of the fallout if they deny our request, or they are enjoying the game a little too much. It disappoints me, but I don’t want to dwell on it here.

As promised, this third and final blog in my “We Are One” series, is to discuss the stories yet untold – the things I would like to see happen in Tree Hill before the show’s ultimate coda. I’d like to hear your ideas as well. So, let’s tell our stories.

“When archaeologists uncover lost civilizations and they unearth their worlds that have long been since been destroyed, you know what they find most often? They find stories, ancient languages, words, inscriptions from people who have been gone for thousands of years, because chances are, like you, they wanted to know, “What’s the point?” And they wanted us to know that they were here, you know? They told their stories, and they tried to make sense of their lives and their worlds and their tragedies. So that’s what we are gonna do.”

Mark Schwahn and the rest of the One Tree Hill writers have given us a lot of stories in seven years. We’ve certainly been dealt some twists and turns along the way – shocking moments we never saw coming, heartwarming scenes that got us a little choked up, and hilarious one-liners that we’ve done our best to work into everyday conversation as often as possible.

But even after seven years, the well hasn’t run dry. One Tree Hill is still telling great stories, and there are many more that haven’t even been touched yet. I have every confidence that, given an appropriate amount of time, the writers and producers of the show will not let us down. We just need a little more time to get to that “happily ever after” conclusion that we deserve. For me, that includes a number of things:

Dan. I know some people have said that season 4 had a storybook ending. Others point to the finale of season 6 and say it offered the picturesque conclusion we needed. I disagree. Those two seasons didn’t have any splashy cliff-hangers, but that doesn’t mean they were sufficiently wrapped up, either. (Hence why the show has continued!) My reasoning all points back to Dan. While not generally named with the original “Core Five” of the cast, I tend to think that One Tree Hill began with at least SIX key players. Without Dan Scott, there would be no One Tree Hill. And further, without Dan Scott, there can’t be a proper ending. We have seen Dan do a lot of evil, unspeakable things. We have even seen him be kind and vulnerable in unexpected ways. Ultimately, we have seen him reach for redemption and forgiveness, but despite valiant efforts, he’s never grasped it. I do understand that some characters (and some viewers) will never excuse him, no matter what he does. For my part, I would like to see at least two things happen before the show ends. First, before One Tree Hill goes off the air, Dan should finally breathe his last. Bear in mind that I love Dan, so I envision this happening about one episode prior to the series finale. That is the only true closure Dan can have. We know he’s not going to turn into the model of perfection, and he can’t just go back to being evil at this point. But, he can still die in peace. I’d rather like to see him die a hero. And not alone. Nathan has said time and time again that he will never forgive his father, no matter what he does, and despite some pretty spectacular displays of love and support from Dan, Nathan has only barely tolerated him, and even then, it was only in service of Jamie. But as Jamie told Nathan at the beginning of season 7, “I think you’re good enough to forgive him.” I think Dan can accept being ostracized from everyone else’s life, but the rift between him and the son that he raised has tormented him for years. And Nathan, as the veritable hero of the show, has the capacity to heal that breach, even if only so his father can die in peace.

Brooke. When all the original characters finished pairing up, Brooke got the shaft. Regardless of whether you’re pro-Brucas or pro-Leyton, I hope we can all agree that Brooke certainly deserves to find some happiness. She loved Lucas, but he chose her best friend – a scenario which Brooke (eventually) was able to handle with class and dignity. After that initial heartbreak, what followed was a litany of failed attempts: Felix, Chase, all the Nicks (not the Knicks) of New York City, Owen, to be capped off with a rather tumultuous, on-again, off-again relationship with Julian. I may be in the minority here, but I am not convinced that their love can (or should) stand the test of time. In addition to romantic turmoil, we’ve seen Brooke dream of motherhood since she returned to Tree Hill at the on-set of season five. She took care of Baby Angie long enough to get attached just before having to send her home to her parents. Then, she bravely stepped up and took in Sam – passing up an opportunity to adopt an infant – only for Sam to leave her as well. Now, her dreams have been utterly crushed by the news that she’s infertile, and after so many disappointments, the spark in her eyes has all but died. Now, we know Mark Schwahn to be a sucker for a happy ending, so I have to believe there is one in the cards for Brooke – as long as he has time to tell the story. Now, as I said, I’m not a big advocate of Brulian, and believe Brooke met her soulmate in season five. Remember the sweet and adorable Dr. Ethan Copeland? The one who operated on Baby Angie? Yep. Him. There were sparks flying between Brooke and the good doctor, but every time they had a nice moment together, along came Lucas to mess it up. So, if Brooke could run into him on the street somewhere, I have a feeling they would finally hit it off, and chances are, he either knows a few fertility specialists through his work, or he’d be more than happy to adopt a lot of Baby Angies with Brooke.

Whitey. I love Whitey. He added so much heart to the first four seasons of One Tree Hill, being essentially the father that Lucas and Nathan never had, and offering his sage wisdom (and crotchety attitude) to any and everyone that needed a little bit of guidance. I squealed with joy when he appeared for the flashback episode in season five, and again at the end of season six, wherein I cried like a baby to see him offer encouragement and a loving embrace to perhaps his most bitter enemy. We have not seen anything of Whitey this season, but I would dearly like to see him again before the show ends. In my mind, he certainly must visit Nathan, Haley, and Jamie from time to time. I can’t imagine he made such a tremendous impact on Nathan’s life (and career) only to disappear into oblivion and not keep in touch. The scene at the end of season 6 supports my theory, and I would be over the moon to see Whitey show up for at least one family dinner at the Scott House. Can you imagine the epic cuteness of a scene between Whitey and Jamie? I must see that. And I would not be even remotely opposed to seeing more of Whitey and Dan. Perhaps Whitey could help with that Dan/Nathan reconciliation I mentioned earlier.

Nathan and Haley. Aside from one or two *slightly* cheesy lines in the course of seven years, I have zero complaints regarding the way my favorite couple has been written. I was hooked on them from the very beginning, and their stories have never disappointed me. There is no other couple in TV, movies, or literature that I enjoy more. (Darcy and Elizabeth are a distant second.) All that being said, I obviously think they should stay together all the way to the end (and it would be preposterous if they didn’t, so I don’t really have any worries there). But the one thing my Naley-loving heart desires is another baby. They got their son, so taking what Nathan said to Haley in “The Desperate Kingdom of Love,” they’re still due “a little girl, just like you [Haley].” And I want to see it happen! They can even throw in some cheesy lines (“Now I know why they call it true love”) and I swear, I won’t even wince. Plus, given the present state of season 7, One Tree Hill simply cannot end with Haley in the midst of (or even beginning to recover from) a very dark and serious depression. It’s a great storyline, but it’s not the stuff of “happily ever after.”

Lucas and Peyton. Now, I know what you’re going to say, because I’m usually the one saying it: they’re not coming back. And hey – you know what – I can accept that. But if One Tree Hill got (at least) one more season, I figure that only increases the odds that they might be willing to make a guest appearance in the eventual series finale, which would be a nice nod to the fans that have been around since day one. (And the Leyton fans would be ecstatic, obviously.)

Chris Keller. I had a fierce hatred for Chris Keller for obvious reasons, but darn if he wasn’t just so funny that he grew on me after all. Plus, Tyler Hilton is fantastic. And – it just so happens that when last I saw him, he said he’d love to come back to One Tree Hill for a series finale. So, there must be a way to let this fellow drop by Tree Hill. He and Nathan were almost kinda sorta friends the last time we saw Chris in season 4, so I see no potential problems there. And wouldn’t it be hilarious and awesome if Chris Keller returned to town on the arm of the love of his life, and let’s say her name is Taylor James. Oh, that’s what you call a win-win, folks.

Levi Weaver. Now, I suppose none of you remember that character. Which makes sense, since there never was any such character in Tree Hill. Rather, Levi Weaver is a musician – a darn good one, whose songs would go so nicely with the always-fantastic One Tree Hill soundtrack, and come to think of it, the man himself would probably look pretty well at home on the set of Red Bedroom Records. One Tree Hill has done some great things for independent artists and acts that deserve a second look. The integration of Mike Grubbs in season 7 to launch the extremely noteworthy music of Wakey!Wakey! is only one example. One Tree Hill has changed the lives of a lot of musicians by giving them an avenue to get their music out there to the public. Radio simply doesn’t do that anymore – it’s TV’s arena, and One Tree Hill does it best. And for an independent musician like Levi Weaver, a song placement in a TV show with two million plus viewers can make a huge difference in a career – and in whether he can afford to keep making brilliant music. I am constantly awed by the song placements on One Tree Hill (Lindsay Wolfington is a genius, by the way), so I don’t suggest this lightly. I hear Levi Weaver’s “We’re Tornadoes When We Dance,” and I think of Nathan and Haley. “Drink, Drink, Drink” is reminiscent of Dan Scott – did I mention I love Dan Scott? And “You Are Home” – well, that kind of fits the show as a whole, doesn’t it? “Oh, you are home. And no matter where I go, you’re in my bones. And no matter where I sleep, I never rest outside the place I keep my soul.” So, yes. This is my wish list, and it absolutely includes hearing a song by my all-time favorite artist playing through the coda of my all-time favorite show.

I could go on and name a million different storylines, but then this blog would never end. And I’ll leave the writing to Mark Schwahn, since the last 7 years of stories have come from him, and I haven’t been disappointed yet. Still, I’d like to hear your ideas in the comments. What stories are important to you? And what do you need to see before you’ll feel like One Tree Hill is complete? Here’s hoping that we get to see all those stories play out on our TV screens, and we get all the things we wished for.

To The CW, I’d like to reiterate another relevant One Tree Hill quote:

“Regret comes in all shapes and sizes. Some are small, like when we do a bad thing for a good reason. Some are bigger, like when we let down a friend. Some of us escape the pains of regret by making the right choice. Some of us have little time for regret, because we’re looking forward to the future. Sometimes we have to fight to come to terms with the past. And sometimes we bury our regret, by promising to change our ways. But our biggest regrets are not for the things we did… but the things we didn’t do.”

Don’t let canceling One Tree Hill be your biggest regret. And don’t let it be ours, either.

Farewell to the City and the Love of My Life

Seven years ago, I made my first trip to New York City when I was invited by some friends to attend the As the World Turns fan club luncheon with them. I wasn’t much of a traveler back then, but these gals bought me a ticket and begged me to join them, so I threw caution to the wind and headed north.

Since then, I have been to New York almost fifteen different times, and every time, I seem to love it just a little bit more, and find myself feeling more and more at home. This past weekend, I attended the final As the World Turns luncheon, saying “goodbye” to a show I’ve watched for a quarter of a century before it leaves the airwaves in September. (I bid a similar adieu to Guiding Light last October.) That made this trip feel like a farewell in many ways. For starters, these fan events have been the catalyst for my regular NYC trips for seven years, leaving me to wonder when I’ll visit the Big Apple again. In the larger sense, though, this trip carried the weight of the realization that I would be saying goodbye to some people that I may actually never see again, which is as appalling as it sounds.

Still, even with a bittersweet tinge marking this trip, I had a glorious time sharing the experience with dear friends.

My best friend, Jessica, along with her 8-year-old daughter, Thai, accompanied me on this trip. They had been planning one of their own, and we decided to lump our trips together in the interest of finances and fun. We set out for NYC on Friday morning, by way of a JetBlue flight from RIC to JFK. We made it into midtown Manhattan just after noon, dropped our bags off in the room, and set out on our first adventure to the Statue of Liberty.

First, we stopped by a street vendor for some hot dogs. I tend not to eat hot dogs, and I REALLY tend not to eat food that: was cooked outside, is currently outside, or is sold in a building where you can also buy motor oil. That being said, I hadn’t eaten since lunch the day before, so I actually took a bite of one of Thai’s hot dogs – a New York City first for me. Jessica even had to ask for clarification, because she thought she was seeing things. (Later in the weekend, I took THREE bites of a pretzel from a food cart. I’m a wild woman, I tell you!)

Eating on the run like true New Yorkers, we headed for the Subway station to ride downtown. Thai enjoyed the experience immensely; first, for all the germ-laden surfaces she could touch immediately before adjusting the gum in her mouth; second, for trying to stand up while the subway was moving. Luckily, she stayed within catching distance.

Possibly due to the foggy skies or chilly weather, the ferry line for the Statue of Liberty was very short. We breezed right through security and braved the wind atop the boat for optimum views en route to Liberty Island.


This was my first time actually going over to Liberty Island. Previously, I have opted to ride the (free!) Staten Island Ferry to simply get a good view of the statue, but it is a nice experience to actually go over to the statue at least once.

When we returned to Battery Park, we hopped back on the subway and rode up to visit one of my favorite locations, Old St. Patrick’s Cathedral in Little Italy. I’ve been to Riverside Church on the Upper West Side and to Trinity at Wall Street, and while I suppose those are larger and more celebrated, they still do not outdo this place in my mind.

After leaving the cathedral, we proceeded to another hallowed location: Pinkberry.

I got a mix of plain and pomegranate yogurt and topped it off with strawberries, kiwi, and blackberries, pictured here in all its glory. Jessica and Thai both got chocolate yogurt with strawberries and fruity pebbles, and while they were enamored with the taste, it was the nastiest looking cup of stuff I have ever seen, so I will not be sharing those pictures.

When we left Pinkberry, we proceeded to walk through Little Italy and head down to Chinatown. Thai has a reading assignment coming up at school about Chinatown, so her teacher suggested taking her down there so she could report back to the class about what she saw. She was not overly excited about the prospect of doing something school-related on our trip, and she seemed even less interested in walking the necessary blocks. In fact, having seen enough of Chinatown to satisfy Thai’s teacher, we discovered Thai’s favorite New York City attraction – the taxi cab.

We took the cab to a place called S’Mac, which serves only macaroni and cheese – in other words, my mecca. The menu featured many different varieties, or you could build your own, and I didn’t even recognize all the cheeses listed. While my mind boggled at the possibilities, Jessica ordered a regular mac and cheese for Thai and cheeseburger macaroni for herself (pictured). I settled on the Four Cheese with Bacon.

That’s when things got interesting. We were seated at a table near the kitchen, and Jessica and Thai’s order came up first. The delay seemed longer than necessary between the arrival of their orders and mine, but I attributed that to my overwhelming hunger at that point. When my piping hot skillet arrived, I quickly grabbed a fork and dug in, but while I was still blowing on the first bite to cool it down, an older lady seated by the window got up, crossed the restaurant, and stole my skillet of mac and cheese right from under my nose (and my dangling fork that still held a bite full). I was in shock, and the waitress came over and explained that I had gotten that lady’s food and she got mine. She then asked if I wanted the skillet she was holding (which had come from the other lady’s table, as evidenced by the blanket of pepper on top and the gaping hole in the side where she had taken her first bite). I declined that generous offer and said I would wait for a new skillet. In the meantime, I finally ate the bite that was on my fork, which is probably the best bite of macaroni and cheese I have ever tasted. Only a few moments passed before the waitress returned and offered me a “new” skillet – still oddly covered with pepper and caved in on one side. This time, Jessica flagged the waitress down and pointed out that this skillet didn’t have bacon in it, which I had overlooked due to sheer astonishment and disbelief. What I really wanted to do was go punch that other lady in the face and take my skillet back with the magically delicious mac and cheese. I couldn’t do that, anyway, because after STEALING my food from me, she took one bite and then brought it back up to the counter and told them it was cold and she needed another. Unbelievable. I did eventually get my order, two bites into which, Thai asked if we were ready to leave. *blink*

After our candid camera experience in fine dining, we proceeded uptown to The Metropolitan Museum of Art, aka “The Met.” Jessica loves all things historical, and Thai seems to have picked up on the gene, so while they ooh’d and ahh’d over various old pieces of pottery and stone busts of various old dead people, I simply looked around for pretty stuff to photograph:

 

 

 

 

Given our early morning wake up time and our long day of travel, we were ready to head back to the hotel fairly early (by New York standards). We did linger around Times Square and let Thai take in all of the lights before passing out in the hotel.

On Saturday, our itineraries went two separate ways. Jessica and Thai went off on their own to take in the Empire State Building, the Museum of Natural History, and the Hayden Planetarium. They also did a little napping and a little shopping, which were NOT on the itinerary. Bloody insurrectionists.

Meanwhile, my friend Christina came in from Staten Island, and Terri flew in from South Carolina, and together, we went down to the ballroom (in our hotel) for the As the World Turns luncheon.

Having procured a script from the final episode of Guiding Light at the luncheon in October, I entered the raffle for an As the World Turns script as well. (The final episode hasn’t been filmed yet, so that script obviously wasn’t available.) I did end up winning one of the scripts, which will be quite welcome in my collection. After lunch, we were off to the meet and greet lines, and while I made the rounds, I figured I’d just post a few highlights.

First, this fellow from France, whose name I have already forgotten, was in NYC with his parents, who had flown him over for his birthday so he could attend the luncheon for the first time. As the World Turns, he said, is his favorite show. Here he is sporting an autograph from Eric Sheffer Stevens.

Since this was the final luncheon, several actors returned to see the fans even if they hadn’t been on the show in years. One of my old favorites, Peter Parros, was on hand and told me about his company, Ten Talents Productions, which produces comic books and a cartoon aimed at ministering to children. Another familiar face back to visit was Jon Prescott (pictured), who was only on ATWT for a short time, but made such a great impression on me years ago that I had to go and say hello to him again.

On the list of the most talented people I have ever had the pleasure to meet is Tom Pelphrey, and he was also on hand to greet the fans, even though he wrapped filming on ATWT months ago. His line was one of the most popular at the luncheon, and certainly with me. I cannot say enough good things about his acting (the man can make a simple play reading riveting) and he has one of those infectious personalities that is a joy to be around. The incredible success that he has had during his very short career so far tells me that the whole world will know his name one day.

On the topic of talented youngsters, let’s go even younger (I’m a cougar now, apparently) and mention Mick Hazen, who seemed like such a little boy just a few years ago, and suddenly he turned 17 and shot up to six feet, three inches tall! More importantly, he’s a wonderful actor, and I think we’ll be seeing a lot more of him after college. No matter how tall he gets, he’ll always be sweet little Parker Munson Snyder to me. I resisted the urge to pinch his cheeks like an old lady.

After the luncheon, I walked over to Latitude Bar & Grill to participate in another grand tradition: Martinis With Henry. I was fortunate enough to be present when this tradition was born, and it has grown to a much bigger group over the years. Trent Dawson (the “Henry” of Martinis with Henry) has always and will always hold a very special place in my heart. I hope my next trip to NYC will be to see him tearing it up on Broadway.

 

 

 

 

 

 

 

After reuniting our group at the hotel, we headed out once again to visit the Top of the Rock. Great view and that light room is fantastic.

Afterward, we walked across the street to Rockefeller Center so Thai could check out the ice skating rink.

By then, it was time for me to part ways again so that I could head down to the Lower East Side to see Matthew Perryman Jones play at Rockwood Music Hall. I was a little tentative about hopping on a subway alone and going to a part of New York I was entirely unfamiliar with at 10:00 at night, but the inducement was strong enough, and partly I just wanted to prove to myself that I could do it.

When I made it down to 2nd Avenue, and walked up the stairs out of the subway station toward the street lights and graffiti, I almost ran smack into Jon Prescott. We laughed at the coincidence – New York City is such a big place in a very small world. He remembered from our earlier conversation that I was headed to the show, so he pointed me in the right direction. I found the line of people waiting to go inside the Rockwood and waited with them for a few minutes. The act before was finishing up, and when he did, enough people exited the hall to allow those of us on the street to get inside. I found a seat at a table against the wall (I don’t like standing in the midst of a big crowd), and shortly my table was filled with strangers, all there for the same reason as me. The guy next to me initiated conversation, and it took only minutes for us to discover that we had a lot of common musical interests. Then, no one could shut us up! We talked in detail about Derek Webb and Caedmon’s Call (whose drummer, Todd Bragg, is touring with Matthew Perryman Jones) and we even tossed some music suggestions back and forth.

Watching Matthew Perryman Jones perform (and he is fantastic, by the way), the whole essence of the evening struck me. I was in New York City, having come downtown alone, sitting next to a fellow Caedmon’s Call buff, listening to one of my favorite artists perform just a few feet from me. It is hard to explain the emotion of a moment like that, but it was beautiful.

I was in such great spirits that I forgot I was taking a different train back, so I hopped off one stop too early and, weighing my options, decided to just enjoy the 14 blocks back to Times Square on foot.

Even though I was the last one in bed Saturday night, I still managed to wake up first on Sunday morning. (Anybody who knows me also knows how ridiculous that is.) With a chorus of snoring around me, I contemplated slipping out on my own again, but as I started to move around, I saw some signs of life, so I waited for Jess and Thai to get moving so we could head down to Central Park.

Thai was eager to ride a horse-drawn carriage, so we took the 45-minute tour of the park with a guide named Kevin and a horse named Beethoven.

When our ride was finished, we still had about an hour before we were supposed to meet Terri and Christina for lunch, so we decided to go to the Conservatory Gardens in Central Park, since we didn’t have time on Friday. I am glad we were able to fit that in, because the gardens were absolutely gorgeous, and this wasn’t even peak season!

Our group gathered together again to chow down on some delicious (and cheap!) pizza before heading to our matinee of Mamma Mia at the Winter Garden Theater. David Andrew MacDonald – once the evil villain, Edmund, on Guiding Light – was playing the much more affable role of Harry for Mamma Mia, so we were excited to see him on stage. The show itself was fantastic, and we all found ourselves singing and dancing along. Of course, there was plenty cause for laughter, too. Broadway is the only place on earth where platform boots and spandex can add up to a good time!

After the show, we waited at the stage door in the hopes of saying hello to David. He was the first one out the door and as charming as ever. We talked to him and he signed our playbills and posed for a picture.

Thai was more excited by that than we originally anticipated, and she wanted to hang around and see who else might come out from the show. We were happy to oblige her, and she got more pictures and signatures from Mamma Mia’s “Tanya” and “Sophie.”

From there, we had to say goodbye to Christina, because she had to get back home to return to work the next day. She headed down to Battery Park to catch the ferry home, and the rest of us were Brooklyn-bound.

We made it to the Brooklyn Heights Promenade just as the sun was setting, and were able to enjoy the view (and take some photos) as the sky got darker and the lights got brighter.

We hopped on the subway again, but this time Terri and I left Jessica and Thai behind as we transferred trains to go back downtown to the Rockwood Music Hall again. They have recently built a new space next door to the original hall, and refer to it as “Stage 2.” In a brilliant stroke of luck, Wakey!Wakey! was playing there Sunday night! Terri opted to come along, although she had never heard any of their music before. We weren’t sure how our music tastes would line up, but I appreciated the company all the same, and just hoped that she’d enjoy the show.

When we walked in the door, the first person I saw was Mike Grubbs, lead singer of Wakey!Wakey! (and bonus: Bartender “Grubbsy” from One Tree Hill). I am pretty sure the combination of those two things made me a little too giddy, but he obliged me with a photo and we talked a bit. I related how I’d fallen in love with their music upon hearing “War Sweater,” and then when he popped up in a recurring role on One Tree Hill, that was the icing on the cake for me.

We settled in for the show – again, mere feet from the stage. Two songs in, I looked back at Terri to gauge if she was enjoying herself and she nodded yes. Meanwhile, I was over the moon! It is disappointing when you love an artist and then you go to a show and realize that what you really loved was the miracle-working producer who put the album together. In this case, though, it was quite the opposite. I’ve been a fan of the music for quite a while, but seeing them live was – wow – spectacular!

The whole band played most of the show, and Grubbs did a few songs on his own as well. Rosi Golan even joined him onstage for a rendition of “Blame You.” When the whole band was playing, I was quite taken with the violinist, Patrick. Amazing!!

Somewhere around the middle of the show – and I don’t even remember what song was playing – Terri tapped me on the shoulder. When I turned around, she was grinning and giving me a big thumbs up! Needless to say, Wakey!Wakey! has a new fan, and since Terri asked me, “Man, what did I miss last night?!” – she’s probably home looking up Matthew Perryman Jones as well. We both talked to Mike Grubbs again after the show, and then I got to meet the band’s manager, Wesley, which was a delight after having corresponded sporadically on Twitter.

Monday morning, we all slept in, but still woke up exhausted. There wasn’t much on Monday’s schedule for that very reason. Terri was meeting another friend for breakfast, so Jessica, Thai, and I walked around Times Square some more, hitting the Hershey store and the M&M store, much to Thai’s delight.

We had lunch at Junior’s (and packed our cheesecake in our purses to go), met Terri at the hotel for the goodbyes, and jumped in a cab back to the airport.

The cheesecake never made it out of the city, since we ate that while we waited at our gate, but before long, we were on a plane headed back to Virginia.

Thai certainly seemed to enjoy her first-ever trip to New York City, and I can only hope that, like me, she finds something new to love about it every time she goes from now on. For my part, I am sure I will find another reason to go back to the Big City soon enough – you can bet I’ll be keeping a keen eye on the schedule down at Rockwood Music Hall!

I Couldn’t Breathe Without Your Music In My Lungs

I marvel at those lists that boast the best songs or albums… of the year, of the decade, or of all time. I am equally fascinated every time someone posts a more personal list of their 10 favorite songs or their most influential albums. Just thinking about crafting a list of that sort is daunting enough to scare me away from it. I feel like my opinions on that change with every day, every mood, and every new album released. The only question I can answer with some certainty is “Who is your favorite artist?” and even then, it’s a three-way tie between Derek Webb, Ryan Adams, and Levi Weaver.

There are songs that I will always love for various reasons. I’d never scroll past a radio station playing “She’d Give Anything” (Boy Howdy) because it brings a surge of memories, and quite frankly, I still relate to it. But I also couldn’t really name one other song that group ever did – and I probably wouldn’t want to! On the other end of the musical spectrum, there are songs like “Paris is Burning” by St. Vincent, which – while I have no emotional attachment to it whatsoever – awes me every time I hear it. That song is a work of art – a masterpiece, actually. But it doesn’t hold a piece of my heart like that cheesy country song from 1994.

Then, there are songs that are my favorites for a day, a week, or a month, and then I move on. I get stuck on songs like “Daughters of the Soho Riots” (The National) or “I and Love and You” (The Avett Brothers) and listen to them on repeat until they are branded on my soul. But catch me one Friday afternoon in the summer on the open road with the windows down, and I just might be rocking out to Fall Out Boy. When I’m 90 and in the nursing home, I’m going to remember The National, but “Dance Dance”? Probably not.

I face this internal conflict about music. On the one hand, I savor music that is well-crafted, with atypical chord progressions and lyrics that slay me. On the other, I can and will rock out like a 12-year-old when I hear the New Kids on the Block, and I pity the fool standing between me and the dance floor if the DJ plays “You Shook Me All Night Long.” It’s like I have Multiple Musical Personality Disorder. And I make no apologies for it.

Thankfully, I have a lot of friends who are the same way, and we float recommendations back and forth to great effect. Word of mouth is the new way to discover music, since radio is on life-support and desperately waiting for someone to put it out of its misery. I’ve also discovered quite a few artists thanks to music supervisor Lindsay Wolfington and music-loving show creator Mark Schwahn over at One Tree Hill, who are responsible for introducing me to the likes of Trespassers William, Lucero, Wakey!Wakey! and others, as well as causing me to give a little more play to music legends like The Cure or Led Zeppelin.

So, despite my ever-changing, ever-growing musical catalogue, I decided to attempt to satiate the masses (heh.) by discussing some artists, albums, or songs that have either had a profound impact on me, or that represent an era in my life.

Let me begin by saying that I grew up on country music. And when I say “grew up on,” the truth is that I’m not sure I even knew that any other kind of music existed. When people talked about “the King,” I figured that must surely be George Strait. I don’t regret that upbringing by any means. Even though country music crashed into Shania Twain mountain long ago, some of it still holds a special place in my heart. For example, Clint Black was my first crush (not counting He-Man) in his tight jeans (why, Clint?), his blazer, his black cowboy hat, and that grin. I still think he is adorable to this day. My favorite artist growing up, though, was The Judds. They provided the soundtrack to my childhood, and I still love listening to them. I have every album they ever made, but back when all I had was two Judds’ cassettes (Love Can Build a Bridge and River of Time), my Mom had the Greatest Hits on vinyl. Anytime I was left home alone as a child, I’d slip down to the record-player and crank this album up while I sang along and danced around the living room. When I was 10, Naomi got sick and The Judds came down to just Wynonna. Her solo album was the first CD I ever owned, given to me on my birthday along with a “boom box” that still resides somewhere in the dark depths of my closet. And since not many pre-teens can afford to expand their record collections too much, this album is about all I listened to for years. I loved every beat of it. I still think Wynonna is one tough broad with an amazing voice. And lest I should ever be without a boots-clad, guitar-playing country boy to swoon over, I have Joe Nichols for that.

Then, about 15 years ago, my musical landscape changed forever. I related the story on my old blog of how I came to own the self-titled Caedmon’s Call cassette tape, which was my introduction to what would become my favorite band of all time. This album made me fall head over heels in love with music, and I have never looked back. That album followed into 40 Acres, which houses one of the contenders for my favorite song (“Somewhere North”) as well as the song responsible for my internet alter-ego, “Shifting Sand.” After the release of “Long Line of Leavers” in 2000, Caedmon’s Call lost a few of their key members – Aaron Tate and Derek Webb – to other projects. Unfortunately, Derek and Aaron were their chief songwriters, and without their well-crafted lyrics to drive the music, the band lost quite a bit of its luster in my eyes.

Three years later, I got the magic back when Derek Webb re-emerged with his first solo offering, “She Must and Shall Go Free.” To me, it packed a punch akin to Luther’s 95 Theses, and Derek has not stopped convicting and infuriating the Christian community since. No matter what anyone says about Derek Webb, though, he stands by his convictions and backs them up with the way he lives his life. So, even if I don’t always agree with him, I can always respect him. Luckily, we tend to agree. I had the great privilege of meeting Derek Webb several years back, and since then, I’ve scarcely missed a show within a reasonable driving distance, and I find that I enjoy hearing what he has to say as much as listening to his songs.

Of course, I listened to more in my teen and college years than just Derek Webb and Caedmon’s Call (though that certainly captured the majority of my attention). Alanis Morissette got me through the angst with “Jagged Little Pill,” which was certainly a departure from my usual musical style, but a great album is a great album and THAT was a great album. To carry on with my country background, I left the Dixie Chicks’ “Wide Open Spaces” in my CD player for probably a year, and even if I live to be 200 years old, I’ll probably still know that album from beginning to end. And like any good teenager of the 90s, I had to participate in the great debate: ‘NSYNC or BSB? I sided with the Backstreet Boys and collected EVERYTHING – carefully-clipped magazine articles, posters covering 90% of my bedroom walls, CDs shaped like their heads (which you probably didn’t know existed, did you?), and VHS tapes of concerts that I watched over and over again with my cousin, Tracey. She loved Brian and I loved AJ. I kind of still have an AJ poster on the wall in my office at home, but I swear, I’ve been thinking about taking it down. For some weightier subject matter, I had Jennifer Knapp’s Kansas, which remains a favorite album of mine to this day.

Over the course of college, I stopped hearing any new music that I liked, because the radio certainly wasn’t playing it, and I didn’t really know where to get it. I also had some trying times in college, where I listened to Alison Krauss non-stop in my car as if the engine wouldn’t run otherwise. At a certain point, I wasn’t listening to music much at all, because there was nothing to compel me or excite me or awaken that part of me anymore.

Then one day, something happened that changed my life as much if not more than that Caedmon’s Call cassette had ten years earlier….

I created a MySpace profile. I know what you’re thinking. MySpace is basically a joke now (although I am thinking of returning there post-haste if they can promise no Farmville or Mafia Wars), but there was a time when MySpace was the hub of the internet and, for all its faults, it created the opportunity for independent artists to network and connect with fans that would never hear their songs played on the radio or stumble into one of their shows. The down side was that anyone who thought they had talent could put their music out there to the masses, and it became tedious trying to separate the wheat from the chaff.

Before the random friend requests became overwhelming, though, and MySpace was still quite new to me, I got a request to become “friends” with an England-based musician by the name of Levi Weaver. I clicked over to his page out of curiosity and immediately connected to the music that I heard. The lyrics were brilliant – with depth and authenticity – and the sound drew me in completely. Beyond that, I gave the profile a once-over and the bio impressed me enough that I decided to message Mr. Weaver and let him know that he had a new fan in me.

To my surprise, I received a fast response from Levi, despite the fact that it was well past midnight in England at the time. I’m not sure I can trace the progression from there, but suffice it to say we have become friends over the years, and music or not, I feel blessed to know him. Luckily for all of us, he has continued to produce one amazing song after the other with no signs of slowing down. So, I am grateful to be along for the ride, and because I pity the people who have not been introduced to his music, I try to spread the word at any opportunity.

(To wit, you can actually go HERE and subscribe to the new album AND get your hands on the rest of his catalog for one very small lump sum. Support independent artists, people!)

Discovering Levi’s music was enough to reawaken my slumbering zeal for the arts, but it didn’t stop there, because Levi proceeded to turn me on to the third member of my musical trifecta – Ryan Adams.

While I have specific (heart-warming!) stories to relate about Derek Webb and Levi Weaver, I have no such anecdote for Ryan Adams. I’ve never met him, and can boast only having been within about 20 or 30 feet of him at concerts. All I know is that once I got a small taste of his music, I could not stop listening until I had heard it all. And hearing it “all” is no small feat when you’re talking about a musical genius the likes of Ryan Adams, who gained renown for cranking out music faster than his fans could listen to it. Since I arrived at the party about a decade late (when you count his earlier Whiskeytown recordings), I had a lot of catching up to do. I started with a few selected songs that spanned the years, and then rushed out to get his latest release at the time, “Easy Tiger.” I loved it and it sent me into a frenzy collecting the other albums – albums that even surpassed what I had already heard. “Heartbreaker” (possibly his most acclaimed album), “Cold Roses,” and “Love Is Hell,” to name a few, are filled with amazing melodies, lyrics, and emotions. Much of his music was never officially released through a label, and came through Adams himself as he released the music online directly to fans – and the songs are by no means second rate! My favorite studio album, though, is “Gold.” The title may imply that it is some kind of “best of” collection, but it’s not – it’s an original album that houses several of my favorite Ryan Adams’ songs, like “The Rescue Blues” and “New York, New York.” While a lot of his music tends toward the melancholy, the content of “Gold” seems a bit lighter when compared to some of his other fare. It also contains the widely-covered song, “When the Stars Go Blue,” which shines best through the voice of its author. (And I can only hope that Ryan Adams got a LOT of money from Tim McGraw’s cover version, because that has got to be the most tragic thing to happen to a song in my lifetime.)

As my friend and office-mate, Kelli, will tell you, there are some days that I just do not function on anything other than Ryan Adams. Luckily, she also has a great appreciation for his music, so she doesn’t mind, and I dare say she’s had a few of those “Ryan Adams Days” herself. Sadly, Ryan Adams is on an indefinite “break” from making music (though he has been producing books of prose with about as much regularly as he did his music), but I am banking on the notion that a consummate musician like him will not be able to help but make more music as time wears on. If not, I take comfort in knowing that I have a tremendous catalog of his music that I can and will listen to until the end of time.

This blog has run a bit lengthy, even by my verbose standards, so while I could probably go on forever discussing this topic, I will leave you off by rounding out my top five favorite artists for you. Coming in at number four is Josh Ritter, who honestly took a while to grow on me. That recommendation came through Levi, as well, and though I was immediately taken by some of Ritter’s lyrics, I wasn’t sold on the sound, and I was ready to throw in the towel. Levi challenged me to press on, and I did – thank goodness I did! Ritter’s voice grew on me, and his lyrics have kept me coming back for more. (Lyrics always get me.) Critics say that Josh Ritter gets better with each album, which I do not doubt and am eagerly looking forward to his next release in May after a LONG wait, but while I think both “The Animal Years” and “The Historical Conquests of Josh Ritter” are epic albums, I stand by my favorite Josh Ritter album, “Hello Starling.” My favorite tunes on that album are “Kathleen” and “Snow is Gone.” Check it out.

My number 5 choice came through Levi in a way, though in this case he is the one that needs to see the light and embrace this artist. Through the marvel of the internet, and the mutual connection to Levi, I have gotten to know Mel, who is always ready to share her musical discoveries (and she has a keen ear for them). So, she is the one who introduced me to Patty Griffin, and oh, what a gift that has been. It is hard to single out one Patty Griffin album, because they are all filled with her rich, soulful style and there are plenty of songs to treasure. For the sake of this exercise, I am going to mention “Impossible Dream” because it contains my favorite Patty Griffin song (which also happens to be the one that most easily slays me), “Useless Desires.”

What are some of your favorite artists or songs or styles? I am interested to know. And if you want to talk even more about music, you know where to find me and I am always up to the task! If you’re just hearing about any of the acts I mentioned above, then you have some rewarding work ahead of you checking them all out!

Tonight We Sorta Kinda Tore the Lines Up

I fell in love with Tyler Hilton about the same time I wanted to crawl inside my TV screen and kick the crap out of Chris Keller.  I am referring, of course, to Tyler’s guest stint on One Tree Hill, playing the egomaniacal, sarcastic, playboy jerk of a musician who talked about himself in the third person.  He caused destruction in his wake all over town and then strolled off down the beach in the moonlight.  I enjoyed that character most when somebody was giving him a much-deserved punch in the face, but I was still sad to see him go.

After getting formally introduced to Tyler via One Tree Hill, I realized that I had seen him before – he also played Elvis in the mega-blockbuster Walk the Line.  (You may also recognize him from Charlie Bartlett.)  Hopefully, whether or not you’ve seen his face on the big or small screen, you’ve at least heard his voice, which is svelte (like buttah) with enough gravel to be dead sexy.

Tyler is a hot topic in our office (really hot. heh.) since Kelli and I like to crank up his tunes and swoon.  Kelli has always been particularly smitten with him.  I mean – she even loved Chris Keller, and as our friend Melissa put it, “Nobody loves Chris Keller.  Except Chris Keller.”

You may recall that Kelli and I attempted to go see Tyler in concert back in the summer, when he was set to tour with Better Than Ezra.  We were on the ball with getting tickets and booking a hotel down in Norfolk for the weekend, only to learn that Tyler had to drop off the tour.  Since then, we’ve been biding our time, knowing that eventually a new tour would come.

What we never imagined was that Tyler Hilton would book one solitary show in the midst of finishing his next album, and that said show would take place – not in New York City, not in L.A., not even in Wilmington – but in Lynchburg, VA.

It seemed too good to be true, so we spent a good deal of time flipping between the Facebook event and Tyler’s website, trying to determine if it was just a cruel practical joke.  Even with tickets in hand, it seemed unreal.  Finally, that great beacon of hope and purveyor of truth, Twitter, confirmed it all when Tyler tweeted:  “Let’s get ready to fly to Virginia!  Lynchburg…I’m coming for you.”

Kelli and I had talked about making t-shirts for the occasion since the first Tyler-show-that-wasn’t, so I worked on a few designs.  Kelli suggested doing “Team Nathan” and “Team Chris” shirts (you can guess who would wear which one), so I designed this:

With a great Chris-pertinent Nathan Scott quote on the back:

Ultimately, Kelli decided against the t-shirt idea, so it didn’t really make sense for me to do the “Team” thing alone.  Hence, I opted for this design (and I put the “Tyler Hilton” on the back with the infamous Chris Keller quote, “Chris Keller’s work here is done.”)

Kelli and I followed Tyler’s tweets with great interest once he got into town.  We could gather that he was staying downtown (and it’s not like there are a lot of options to choose from, but we’re not stalkers or anything).  It did just so happen that we were spending the day downtown at one of our favorite places, The Parlor Spa, getting facials, pedicures, and massages in celebration of Kelli’s birthday (which was a few weeks ago).  We did send Tyler a Twitter invitation to come down to the spa, but alas, he was a no-show.

After we left the spa, we each went home to wash all the oils off, and then we met back up and went to pick up the third member of our merry party – another OTH-watcher and Chris Keller-hater, Melissa.

We arrived at Lynchburg College quite early, to make sure that we were the first ones in line.  Arriving at the same time was a college student from Roanoke named Ali, so we were happy to welcome her into our group:

We waited and waited…and waited.  The doors opened promptly at 6:30 (small miracles, people) and we trucked right on over to the front of the stage.  Front.  And.  Center.

The opening act was a local(ish) musician named Dane Ferguson, who was entertaining and personable.  This seems like a good place to interject that I hate it (HAAAATE IT) when people yammer through the opening act (or any act, for that matter).  I get annoyed when people talk through movies, too, but at least then, the actors can’t hear you being rude and disrespectful.  Not so for musicians.  But ANYWAY.  Dane played a good set and got the audience to (shut up long enough to) sing along with a few covers along the way.  I could see the set list from where I was standing, and had jokingly said, “Hey, you skipped a few!” when he played the songs out of order.  Shortly thereafter, a young girl tapped me on the shoulder to ask if “She Knows” was on the playlist.  It wasn’t, and she looked heart-broken about it.  It turns out she was his sister, and so we all threw our lot in with her to request it.  He did not seem keen on the idea (you know every musician has at least one song they hate to play), but he acquiesced for his “baby sister.”  (Awwww.)

During the break after Dane left the stage, we realized that Tyler’s set list was also on stage, and if I leaned over juuuust far enough and snapped a photo at just the right angle, I could zoom in on my viewfinder to look at it.  Hypothetically speaking, of course.

Kelli’s favorite, “Missing You” – check!

My favorite, “When It Comes” – check!

And lots of other great songs, too.  He came out full throttle with “Tore the Line,” a song I’ve never been able to help singing and dancing along to whenever I hear it.  We were so close.  Like spit-range close.  A little too close for picture-taking, but great for viewing!  I did manage to snag some pretty decent pictures, anyway.

Tyler was very personable, joking with the crowd between songs and telling stories.  At one point, mid-story, he stopped suddenly and his eyes lit up with a big smile.  I realized from his gaze that he had spotted my shirt.  He laughed and said, “I like that!” and told the crowd that it said “Keller for President – nah, I’m just kidding, it doesn’t say that.”  I was beyond thrilled that he liked it – because, obviously, I made it in support of him, but also, I’m glad he still appreciates Chris Keller.  Probably 90% of the audience there knew about Chris Keller before they knew about Tyler Hilton, and he has managed to hang on to all those fans when he hasn’t been a Tree Hill regular for over four years, save a one-episode appearance in season 4 (which was still three years ago).  Then again, we OTH fans have always been intense about our music.

About midway through Tyler’s set, his band took a break and he pulled over a stool to play a few songs acoustically.  A girl yelled out “When the Stars Go Blue,” and he said he’d sing it if she came onstage to sing Joy’s part.  After a few moments of what I’m assuming was shock and disbelief, she pulled herself up onstage to sing the song.  She was in full freak-out mode – really excited – not that I blame her.  She was, however, the level of excited where she will probably be embarrassed to see any videos that her friends may have captured of the moment.  She first started looking out at the crowd, pleading, “What’s the first line?  What are the words?”  Kelli pointed at me and said, “You should direct all your Ryan Adams-related inquiries right over there.”  So, I slowly told her every line to the first verse, and she seemed grateful.  When the song was over, she wanted a picture, so Tyler handed her his other guitar and suggested they strike a pose:

Then, he sat back down on his stool and played a few more ballads, including Ali’s request, “I Believe in You.”  I was glad she asked for that one, because I do really love that song, and it wasn’t on his list.  It took him a few minutes of fidgeting and singing to the side of the mic before he found the right key.  I’m sure moments like that are terribly awkward for musicians, but I love them.  There’s a lot of value in a set list – those are the songs the band has actually practiced!  Especially in this instance, Tyler isn’t actually on tour, it was an isolated show, and he’s been in the studio for months on end recording new songs and certainly not singing the old ones.  Still, when an artist is willing to reveal the imperfections to play a special request, I admire them for it.  Once he found the right key, the song was perfect, anyway.

Melissa shared a few of her pictures with me, too, so you can see a different angle of Tyler!

When he finished up, he announced that he was going over to the merch table, so to come and say hello!  This was great news, since it meant we got to actually meet him – and I had something to give him, too.  While we were waiting in line, I saw Dane over to the side so I went to talk to him, to let him know I enjoyed his performance and that he should listen to his sister more often, because that song was great!

It didn’t take long to make it up to Tyler, and naturally he remembered me by my shirt, which he insisted on signing.  I obliged him, of course!

The event coordinators had put the kibosh on picture-taking.  We could take pictures as he was signing whatever, but no posed pictures (in order to keep the line moving).  Kelli told Tyler about the Norfolk show debacle, and he asked us to hang around for a bit until he got through the line.

We did, and I spent the time chatting with my old friend Amanda (who graduated high school with me and recently reconnected with me at Levi Weaver’s Lynchburg show).  She is also a big One Tree Hill and Tyler Hilton fan, and she had some friends along with her that were all very nice and funny.  Her hubby regaled me with tales of meeting Paul Johansson when they went down to Wilmington, and made me super jealous.  (I looooooove Evil Dan Scott.)

Before long, Tyler did come over, ready to chit chat and take photos.  Someone asked if he’d go back on OTH (because I’m pretty sure he’s got a standing invitation), and he said he’d definitely like to return for the finale, whenever that may be.  He said he loves going down and filming episodes, but when he goes, he gets so wrapped up in it that he doesn’t want to leave, and therefore he doesn’t do anything else (i.e. his primary career as a musician).  Hence why the last time Mark Schwahn invited him back on the show, he famously replied, “Chris Keller needs to focus on his music.”

We talked about Glee and “Bob’s Green Hut” (which was hilarious beyond what I can convey in a blog) and I told him he missed out on his massage.  He replied, “Oh!  Was that you?!” and lamented that he didn’t have time.  Putting two and two together, he asked, “So, which one of you tweeted that you were going to wash all the oils off to come to my show?”  Unfortunately *blush*, that was me.  (Of course it was me.)

Anyway, I was pleasantly surprised with Mr. Hilton.  Not because I expected little from him, but because he delivered beyond my expectations.  He was funny and personable and his performance was off the charts.  The fact that he went above and beyond to hang around and talk to us and take pictures just sealed the deal.

I cannot wait for his new album to come out (because “So Young” has been in my head all week and I can’t actually LISTEN to it), and I hope to see him on tour again very soon.

I’m Always Driving in my Mind

This weekend, I set off on a Pilgrimage to Mecca.  Granted, my “pilgrimage” was a two hour road trip to Jamestown, NC, and my Mecca was the Derek Webb concert at Friendly Hills Church, but the basic idea was the same.  Derek Webb’s music has always served to restore my soul, and Derek himself restores my faith in Christianity.

 

I’m not trying to lay all of that at Derek’s door – he is a good man, but a man all the same.  But God has worked through his music to teach me many things in the last decade, and I do not take that for granted.  So, whenever Derek plays within a few hours of home, I make it a point to go.

 

My usual cohort bailed with some lame excuse about a vacation with her husband (heh), so I thought I’d be making this trip solo.  At the last minute, though, my friend Katie came through in the clutch and agreed to come along.

 

I introduced her to Derek’s music on the way down, and much to my delight, before we even crossed the state line, she was excited about seeing the show.  She even recognized some of the old Caedmon’s Call catalog, either from radio years ago, or from the fact that we’ve been friends for almost as long as I’ve been listening to Derek’s music, so I’m sure she’s heard it before through me.

 

We made great time on our trip and scoped out the church before heading to Fuddruckers for dinner.  We still made it back to the church nearly an hour and a half before showtime.  Derek was there, so I got a chance to talk with him a little bit before the show.  He was setting up merch, and two awesome gray-haired church secretaries were preparing to sell tickets.  With the opening band and sound guys and various folks milling around, I guess they were trying to account for the people in the foyer, and they turned to me and said, “Are you with the entourage?”  Ha!  I’m pretty sure Derek has never had an entourage, and will never have an entourage, but I guess if he did, I may as well be with it.  Derek explained that we were friends and were just catching up, but still every time one of them saw me through the evening, they would say, “And who are you again?”

 

We talked a bit about Noisetrade.com, Twitter, his two adorable children, and my hopes for an arranged marriage between his two-month-old daughter and Levi’s one-month-old son.  (Because, seriously!  Can you imagine the musical genius that would come out of that?)

 

 

I also took Derek a gift – a copy of The Unlikely Disciple, which Kevin Roose personally autographed to him.  I figured it was only fair that after introducing Derek’s music to Kevin, I should introduce Kevin’s book to Derek.  Before I gave it to him, though, another guy walked up and asked me what book I was holding.  I flipped it over to show him, and he said, “You’re not gonna believe this.”  He proceeded to whip out his iPhone and show me that a mere two hours earlier one of his friends had texted him to say, “Next time you’re in B&N, pick up a copy of The Unlikely Disciple.”  I just said, “Well, there you go.  I guess you better get a copy now!”

 

Derek had not heard of the book, so I gave him the brief rundown, and I have a feeling he will enjoy reading it.  I snapped a photo of him with the book, mainly for Kevin’s benefit:

 

 

Derek headed backstage before the crowd rolled in, and I headed back to my spot on the front row that Katie was saving for me.  Before the show, I made it a point to go and make friends with the guy who said he was going to make a bootleg of the show.  He was a fan from way back, too, so we had something in common.  Devoted, too!  He told me that he has driven 14 hours on occasion to hear Derek play!  I would do that, too, but thankfully I’ve never had to, because he usually has a show within a few hours of me three or four times a year.  (Oh, and just for the record, Derek is 100% in support of bootlegs.  So it’s not like I’m outing this guy or anything.)

 

There was an opening act, whose name escapes me at the moment (isn’t that awful?) – I think it was something Pete.  I really liked his voice and some of his song concepts showed great potential.  He was a young guy, so I am sure he will continue to grow and get better over time, and then perhaps I will hear his name again and remember it next time!

 

Derek sent a tweet from backstage saying he was trying to decide what to play.  (I had already submitted my request, or I would have responded.)  I like that he shoots from the cuff, and I love that he actually asks for requests.  As he says, “I can’t promise I’ll play any of the songs you want, but I’d like to hear what they are.”

 

I lost track long ago of how many Derek Webb shows I’ve seen, but I think Saturday’s was one of the best.  The atmosphere at the church was great, and the crowd was smaller, but obviously devoted.  Most of all, Derek seemed to be in rare form, and while he sports a wry sense of humor that always gets a chuckle out of me, I found myself actually cracking up laughing several times, along with the rest of the audience.  He joked about “the closest thing to a hit that I’ve ever had” that was on Grey’s Anatomy, and about why he and Sandra got married so soon after they started dating.  (“I did not want her to get to know me any better until we were on the other side of an irrevocable lifelong commitment.”)

 

 

When he called out for requests, the old songs started popping up, as they often do.  He agreed to play some of them even though he hadn’t played them in years, and as he stood on stage strumming through chords trying to remember the right key, he quipped, “I don’t want to hear any complaining.  This is what you paid good money to see.”  One request in particular gave him trouble.  He even got about a verse into it and suddenly stopped and said, “Oh!  I know what the problem is!”

 

Thus began a long and thoroughly entertaining story about the song, “Dance,” after which Derek looked at the requester and said, “This is all your fault, sir.”  He noted that his diatribe might have made a good blog entry, and said he needed a proxy blogger, and I agreed to the job.  But first, a few points of reference:

 

“Dance” is a song Derek wrote about his grandmother.  It appeared on the Caedmon’s Call album, “Long Line of Leavers,” and then after Derek went solo, it popped up on “The House Show” (a live album) in a different style.  So, for this sub-blog entry, pretend I’m Derek Webb, and I’ll try to do justice to his story:

 

I know what’s wrong with this song.  There are two versions and I’m trying to mix them together.  I wrote this song about my grandmother when I was in Caedmon’s Call for the album “Long Line of Leavers.”  Our producer at the time – and he was a really great producer – came to me and said he liked the song, but there were already too many songs on the album with that sound.  So, he sat down and played this jazzy, smooth version of my song, and I absolutely hated it.  I hated everything about it.  But, even though it was my song, a band is a democratic system, and I only got 1 out of 7 votes.  So, it went on the album and then I just pretty much refused to play it for the next 5 years.

 

That’s why, when I went solo, my first album, “She Must and Shall Go Free,” was all Americana.  I had to get it out of my system after it had been suppressed for all those years!  Then, I found a copy of “Dance,” the way I originally wrote it.  It feels strange to hate a song about your grandmother, you know?  I don’t hate my grandmother.  So, I gave the song another chance and realized it was a pretty good song.  So, I went back to playing it how it was meant to be.

 

So, do me this favor, if you have that Caedmon’s record, skip that song.  Or, if you have it on your hard drive or whatever, just delete it.  Do it for me.

 

 

Derek then proceeded to play the song as it was intended, and he’s right – it’s better that way.  I didn’t take note of the full setlist, but from what I remember several days later, he also played “I Want a Broken Heart,” “Awake My Soul” (by request), “Wedding Dress,” “A King and a Kingdom,” “A New Law,” “Name,” “This Too Shall Be Made Right,” and “A Savior on Capitol Hill.” 

 

 

When he talked about marriage (“I have been to the other side of the mountain and have come back to tell you that it is good.”), he played two Sandra-inspired songs, “I Wanna Marry You All Over Again,” and “I Hate Everything (But You).”  For the single folk, he played “Table for Two,” which has long been a favorite of mine.  I flipped my camera to video for that one:

 

 

 

 

As time was running low, he said he was going to play two more songs, and I added, “And one of them is ‘Somewhere North,’ right?”  “Oh!  Right!”

 

“Somewhere North” is in my top 5 favorite songs EVER, in any genre and from any artist, so I request it often.  When he plays it live, it has two extra lines that were not on the album (40 Acres).  I guess that was probably another one of those scenarios where he lost on a vote.  I recorded that one, too:

 

 

 

 

I had told Derek before the show that I probably wouldn’t be around afterwards, since we were driving back to VA that night.  But, seriously, who am I kidding?  We hung around after to chat.  Plus, by the end of the show, Katie was a full-fledged Derek Webb fan (Derek quipped, “I should put you on the payroll”), so we waited around for Katie to get her CD signed.

 

We started talking about music along the lines of Midlake, St. Vincent (Derek has already heard the demos from the new album and said it is fantastic), Patty Griffin (who reminds me very much of Derek’s wife, Sandra McCracken), and of course, Ryan Adams.

 

Here is a picture of Derek and Katie.  (Yes, I cropped myself out.  So sue me.)

 

 

The drive back to VA wasn’t nearly as tedious as I had anticipated.  We stopped for some snacks along the way and jammed to my Dance playlist for something to keep us wide awake.  We got home about 1:00, which I thought was not bad at all.  Of course, I promised to take Katie along on the next Derek Webb road trip.

 

Prior to Saturday’s concert, Derek had been in Texas for a week working on his upcoming album, “Stockholm Syndrome.”  He said we should hear something official on that within the next month or so, and I, for one, cannot wait.  He said it’s different than anything he’s done before, which I have no trouble believing, since every solo album he’s released has been quite a bit different from the one before.  But I’ve learned over the years that there really is no such thing as a bad Derek Webb song.  Not even “Bus Driver,” no matter what Derek says.

Can you hear it? It’s the Song of the Redeemed.

My own words are insufficient for this day, so I am borrowing from the words of others.

 

Matthew 28:6 – “He is not here, for He has risen, just as He said.”

 

John 15:3 – “Greater love hath no man than this; that he lay down his life for his friends.”

 

 

Holy Roar

 

Oh, can you hear it?

It’s the song of the redeemed

The pursuit of passion for the one who set us free

Oh, can you hear it?

We’re crying out for more

Listen to our song

It’s turning into a Holy Roar

 

 

Did You Feel the Mountains Tremble?

 

Did you feel the mountains tremble?
Did you hear the oceans roar?
When the people rose to sing of
Jesus Christ the risen one

Did you feel the people tremble?
Did you hear the singers roar?
When the lost began to sing of
Jesus Christ the risen one

And we can see that God you’re moving
A mighty river through the nations
And young and old will turn to Jesus
Fling wide your heavenly gates
Prepare the way of the risen Lord

Open up the doors and let the music play
Let the streets resound with singing
Songs that bring your hope
Songs that bring your joy
Dancers who dance upon injustice

Did you feel the darkness tremble?
When all the saints join in one song
And all the streams flow as one river
To wash away our brokenness

And here we see that God you’re moving
A time of Jubilee is coming
When young and old return to Jesus
Fling wide your heavenly gates
Prepare the way of the risen Lord

 

 

Thy Mercy

 

Great Father of Mercies, Thy goodness I own

In the covenant love of Thy crucified Son

All Praise to the Spirit whose whisper divine

Seals mercy and pardon and righteousness mine.

 

 

 

Grace Flows Down

 

Amazing Grace, how sweet the sound
Amazing Love, now flowing down
From hands and feet that were nailed to the tree

His Grace flows down and covers me

 

 

Amazing Love

 

I’m forgiven because You were forsaken,
I’m accepted, You were condemned.
I’m alive and well, Your spirit is within me,
Because You died and rose again.

Amazing love, how can it be?
That You, my King, would die for me?
Amazing love, I know it’s true.
It’s my joy to honor You,
In all I do, I honor You.

 

 

Wonderful Cross

 

When I survey the wondrous cross
On which the Prince of Glory died
My richest gain I count but loss
And pour contempt on all my pride

 

See from his head, his hands, his feet
Sorrow and love flow mingled down
Did ever such love and sorrow meet
Or thorns compose so rich a crown?

 

O the wonderful cross, O the wonderful cross
Bids me come and die and find that I may truly live
O the wonderful cross, O the wonderful cross
All who gather here by grace draw near and bless Your name

Were the whole realm of nature mine, that were an offering far too small
Love so amazing, so divine
Demands my soul, my life, my all

 

 

The Old Rugged Cross

 

On a hill far away stood an old rugged cross,

The emblem of suffering and shame;

And I love that old cross where the dearest and best

For a world of lost sinners was slain.

 

So I’ll cherish the old rugged cross,

Till my trophies at last I lay down;

I will cling to the old rugged cross,

And exchange it some day for a crown.

 

O that old rugged cross, so despised by the world,

Has a wondrous attraction for me;

For the dear Lamb of God left his glory above

To bear it to dark Calvary.

 

In that old rugged cross, stained with blood so divine,

A wondrous beauty I see,

For ’twas on that old cross Jesus suffered and died,

To pardon and sanctify me.

 

To that old rugged cross I will ever be true,

Its shame and reproach gladly bear;

Then he’ll call me some day to my home far away,

Where his glory forever I’ll share.

 

So I’ll cherish the old rugged cross,

Till my trophies at last I lay down;

I will cling to the old rugged cross,

And exchange it some day for a crown.

I Sit In Silence When Your Song Comes On the Radio

Music ignites passion in me.

I was one of those toddlers who sang along to the radio before I even did much talking.  When I hear a song, it can transport me back to a time, place, or emotion long since forgotten.  Many of my most vivid memories include a soundtrack:  my Daddy singing “Big John” in the kitchen while making breakfast on Saturday mornings, the first time I stood on a stage and sang a solo with a quivering microphone, or riding entirely too fast in my ex-boyfriend’s Cobra at 3am with the windows down as he screamed out the words to “Pick Me Up Love” because he said it reminded him of me.

My first celebrity crush was Clint Black, with his unnecessarily tight jeans, sport jacket, cowboy hat and harmonica.  After that, it was Jordan Knight and the New Kids on the Block.  I probably still know all the words to every song on Mariah Carey’s Music Box, even though I don’t even know what happened to my copy of that CD.  Like many people my age, I got through my angry teen years with a hearty dose of Alanis Morrisette’s Jagged Little Pill.  And ten years ago, someone handed me a Caedmon’s Call cassette tape (yes, CASSETTE tape) that changed my life.

I didn’t face another musical revolution until (wow, I just took great pains to go look this up and was surprised to realize the date was) April 1, 2006.  I had *just* signed up for MySpace and I got one of those irritating friend requests from a musician named Levi Weaver  Fortunately for me, I was new enough to MySpace that I hadn’t been jaded by the endless barrage of talentless hacks trying to get me to listen to their sub-par attempts at garage-band indie rock, and I went ahead and clicked on over to his page and started listening.

His music took me quite by surprise.  It wasn’t my usual style, but I couldn’t stop listening to it, and his cathartic lyrics left my heart lodged stubbornly in my throat for days until I eventually broke down and sobbed.  I wouldn’t expect everyone to have that reaction, but his music addressed a lot of feelings I had been keeping buried, hidden from everyone—including myself.

That first day, as I listened, I perused his bio and messaged him to let him know that I liked his music and wanted to hear more of it.  I’m sure he had no earthly idea what he was getting into by replying to me, but thus began a friendship of three years (and counting) that is very dear to me.

I first met Levi (face to face) on July 17, 2006 when he stopped in New York City to play a show on his way home to visit his family in Texas.  I drove up and braved the city on my own to see him and hear him play.  I was already at the venue when Levi called to say he had landed, but the airline had lost all his luggage – including his guitar that the airline made him check when he left England—and that he was going to be late.  His opening act (Dan Donnelly) was already a few songs into his set when Levi arrived with nothing but his carry-on bag.  No guitar, no loop pedals, no violin bow, and understandably frazzled.  He borrowed Dan’s guitar and loop pedals, which had already begun to malfunction before Dan’s set ended, and the show carried on.  I don’t think anyone could have faulted him for calling off the show at that point, and he certainly would have had a solid excuse for playing the worst show of his life.  Instead, he took to the stage with a self-deprecating smile and played a spectacular set.  I didn’t need to be convinced of his talent.  I had driven to New York believing in that already.  But I still left that show amazed, fully convinced that he could never be deterred, and knowing that he possessed a rare and formidable talent that could not be overlooked. 

Since that time, he’s released a self-produced EP titled Civil War Between My Heart and Mind, toured the U.S. and Canada with Imogen Heap, moved back to the states, finished his fantastic full-length album (You Are Never Close to Home, You Are Never Far From Home), married a great girl, and most recently, welcomed his first child to the world.

I wish I had words that could adequately convince you of his talent, or even describe it sufficiently, but I do not.  I can, however, offer a fantastic alternative:

You can download Levi’s full-length album for free HERE on NoiseTrade.com.  (That brilliant website happens to have been co-founded by Derek Webb, and offers you the chance to tell 5 friends and get music for free, or pay what you want for the music, from $1-$25. Of that, 90% goes directly to the artist.)  I went and “paid-what-I-wanted” for the album via NoiseTrade today, despite the fact that I obviously already have it.

I am going to implore you to go and get the album for yourself.  You can tell 5 other people about it and get it for free, or you can pay what you want for it and support Levi.  I would like to suggest that you do the latter.  Levi is a full-time musician who also has to be his own manager and booking agent and “bus” driver, just trying to make it happen while supporting his family.  He doesn’t have a record label to promote him or to pay for his CDs to be printed and stocked on the shelves at your local Wal-Mart.  What he does have is brilliant music and a great heart.  I can assure you that “Which Drink?” alone is worth $25, but even if you pay $1, that’s one dollar in support of quality music without so much as a penny going to any evil, over-grown bully record companies.

 If you need more convincing, I offer the following videos.  First, a live version of Levi’s cover of Radiohead’s “Idioteque” (which is on the album), filmed at one of the shows on the Imogen Heap tour.  This is a good video example of how the loops work, and it also shows Levi’s ability to roll with the punches onstage:

Secondly, a hands-on (in more ways than one) music video of “You Are Home,” which is also on the album:

I hope you will at least go check out the music and see for yourself.  I had a great time having Levi here to play a show downtown at The Starlight Cafe back in October, so I hope he’ll be back in town again soon.  Hopefully next time, he can bring the whole family.